Location: Monroe, Massachusetts/USA
Elevation: 2,730 feet
Note: It’s good to know that every so often you can come across a simple trail. Depending on where you are, you can encounter a host of obstacles and unanticipated factors, especially in New England, which might hinder your way. For example, in early Spring, tree’s may have fallen during the previous Winter before rangers can re-designate the trails with new markers. This can have you miles into a trail expecting a rewarding view, only to be completely off-trail and configuring a way back. For the dedicated hiker in Winter, snow may cover an entire route. Just last week on a trail in New Hampshire a man had the bright idea to bring an M16 rifle several miles into Purgatory Falls Trail; he opened-fire along the river, all while people were hiking, which mind you, is totally LEGAL in New Hampshire. These things should not hinder your dedication to seeking the beautiful and meaningful high points in the landscape, but it should teach you to increase your awareness that the rules do change in different environments/countries/states. This is why it is a relief to arrive at a place like Monroe State Forest, set in the very special region of Massachusetts, on the boarder of Vermont. Here you will find a clear and straight trail heading directly to the best view in the entire region. This place is a rolling set of small mountains that vividly encapsulate the medium-scale hiking elevations of central New England. It is also an old growth preserve with rare trees that are seldom seen in the lower valleys; trees such as the Yellow Birch, American Basswood, Beech, Red Spruce, and towering White Pines. Navigating to the best entry point for this trail requires locating Tilda Hill road in the town of Florida, Massachusetts, which eventually becomes the indistinctly named “Main Road”. There is a sign for Monroe State Forest at the intersection of “Main Road” and Raycroft Road. Raycroft Road is actually a rugged dirt path and the trail for this hike, which elevates gradually into Monroe Forest. You can park your car just passed the Monroe State Forest sign at the turn-off towards Raycroft Road, beside the flowing Dunbar Brook on your left. Simply park your vehicle and head straight up the wide dirt path, without veering in either direction, all the way to Hunt Hill porch. It’s about 2.5 miles to reach the vista. You will actually come to the top of the hike and re-enter a short path directly in front of you leading a bit downward again for 2 minutes before opening up to Hunt Hill Porch. It’s a striking view. On this day someone wrote on one of the porch stones “All good things in all good time.” Perfect spot to contemplate this.Mount Spruce is actually a secondary priority compared to the view at Hunt Hill, here at Monroe. Hunt Hill should be your goal. After discovering the Hunt Hill vista you can turn back towards the main trail and follow the westerly paths, to the left, heading towards Mount Spruce. The pathways heading away from the main trail are narrower, with towering trees and hedges. These trails continue along hilly glades and knolls that display shafts of cinematic sunlight, and scenes where a stop for water and rest in the Forest is a great idea. Looping down to the main trail again you will be heading generally back towards Dunbar Brook. At about the mid-point of the Raycroft Road main trail, there is an easterly path of forest with those beautiful White Pines, all continuing down to Dunbar Brook and beyond into the lower valley lakes.
Within this glade of White Pines are some compelling free-standing boulders, with sliced faces and rounded rears, like many Celtic territorial markers. Look at the face of this 10 ton boulder on the left. It is blatantly flat, looking at it head-on. The view from the side reveals that the boulder looks to have been split, like a knife through butter, with a rounded base at the rear, as shown on the right. What could’ve possible done this?
Dunbar Brook becomes a beautiful set of small waterfalls dancing through the rocks and boulders. You can follow this stream with confidence if you so choose, navigating both down and back, with small pathways along the side to help, only be prepared to climb a bit along the boulders. From the vista at Hunt Hill down to the Car Park at the head of Dunbar Brook are Neolithic stones all throughout the forest. Hundreds of zigzagging stone-linings, and squared-out spaces with areas that look like hearth-centers in ancient living spaces. Below is an image of what looks like the symmetrical foundation to what was once an ancient living space, with the hearth-stones in the center, presumably for a fire. Look at the leveling of this stonework, which is identical to corbel layering in Celtic ancient spaces. Here’s closer look at the scale of these stones against the landscape, which stands about 4 feet tall. It raises serious questions about the idea that Colonial farmers just randomly decided to waste their Summer seasons utilizing all their resources to build structures like this, and without even an ounce of explanation or claim. Something much more complicated is taking place in these Forests and Mountains. For certain so many people will look and say in a most bored fashion, “Yeah o.k, big deal, it’s just a stonewall…” But the point is where it is, and the style and size of it. These stones are in the middle of a Forest and run literally everywhere. They are part of a grander network of connecting stones that do not mark, say, quartered fields, or farmhouses from the colonial period; they zigzag, and often times connect to rivers, like cords connecting to a power source. If a reader doesn’t see that it is riveting to possibly piece together the idea that someone was engineering the entire landscape for the purpose of harnessing energy in antiquity, than just stop reading now. These discoveries are changing the way we conceive of “monuments”. The culture that did this monumentalized the entire landscape. The whole thing was once synergized by a connecting system of natural energy producers, like flowing water and Sun. Most people just don’t understand. The same concept of energy connectors and crystalized power sources within your phone, is the same exact principal being discovered on the New England landscape. Above is yet another image of stone-linings zigzagging through the woods. In the forefront of the image, and the back are stones beyond counting. The odds that these linings connect to the flowing water of Dunbar Brook, just beyond, are 99 to 1. That’s what it is starting to look like, that’s where the physical evidence take us. All of this under beautiful White Pines, tall and fair, on this eastern extension from the main trail here at Monroe State Forest.Heading back to the beginning of the trail where your car is parked you can spend some time at a focal point of Dunbar Brook. There is a hollowed-out section of stream with a small waterfall coming around the side of this central pool, and it is serene. In the image below, the stream looks to have been redirected around the pool, to the left, then continuing to flow down the valley. So now you’re thinking that “redirecting” the flow of water at a rocky stream seems impossible right? Take a look at this beautiful waterfall in Donegal, northern Ireland. Aside from the incredibly crafted stones above the fall, which practically look like a faucet fixture funneling the water to an exact point, is an absolutely crafted side-stream to the left. The stones of this side-stream are like a perfect staircase, in width and leveling, allowing the water to mingle with the main flow in front of it in a perfectly sectioned process. This waterfall in Donegal is wild, completely indigenous, without even a path connecting it to the road; the work that was done to it, was done in antiquity, and with great skill. And there are many other places like this, with skilled crafting, alignments, and fitted stones. (See ‘Bears Den’ in the New England Section of Stonestrider.com if you are interested in more water engineering in antiquity.) Monroe State Forest is a simple hike to the vista at Hunt Hill, surrounded by enchanted forestry and networks of Neolithic stones. The awareness of this beautiful factor can change the way we read landscapes. Imporve your landscape literacy and hike Monroe State Forest. Pictures and images are o.k, but the point of these articles is to get people there for themselves. Spring is here, so go for it! Seeing is believing. Thanks for reading.
Location: Newry Ireland
Elevation: 1653 ft/5o8m
The Hen Mountain sits at the northeastern extremity of the Mourne Mountain Range. It is the lessor elevated gateway to an area known nationally as a “place of outstanding beauty”, rolling east all the way to the harbor city of Newcastle, and the dreamy Irish Sea. The gorgeous hamlet of Hilltown sits just west of The Hen, which is the practically perfect jumping-off point for this small mountain. The main car park for The Hen Trail is off Sandbank Road, near the beautiful River Bann, which can easily be found. The Hen, with it’s classically Celtic treeless approach, is entirely welcoming. I was so drawn to the view of this small summit from my deck at Hilltown that I literally ran down to the River Bann, hopped the fence, crossed the rocky river bed, and started an ascent from the northwest with my sneakers on. The image on the left was taken while standing in my sneakers at the base of the Mountain. It was just that type of day. When the Sun comes out in Ireland the landscape becomes a vision. The wildflowers in the area glow in variations of gold, green, and velvet.The image below shows Mount Hen, second from the left, taken from my accommodations in Hilltown. This was exactly how I pictured J.R.R Tolkien’s “Shire”.
The River Bann reminded me of so many rocky streams in the Massachusetts hills, with several massive free-standing boulders lining the sides of the flowing stream. The scientific explanation for these boulders is, of course, glacial, but several of the larger stones look as if they had been cut and angled specifically, which is often found near sacred mountains in New England, and here in The Mourne. Additionally, coming from New England, where the forests are an overpowering aspect to any landscape, views like this, where not even a single Hawthorn tree can be seen on the horizon, are a constant surprise to the senses. It is truly surreal. The mountains are roughly the same scale as New England’s smaller ranges, but the peaks just look so much more stoic, without one single tree. The Sandbank Trail is actually on the other side of the Mountain from this spot on the river, along the eastern face, about 400 yards away. In Celtic places the opportunity to wander should be embraced; there are no animals that could overpower you (like a Bear or Wolf), and the chances of stumbling upon Neolithic expressions are pretty good. And perhaps most importantly, this is one of the best places in the world to take out your camera(s).
Heading directly up the mountainside from the river, climbing over the farmers fence, I came across this lonely boulder. It was a like seat for watching the lower valley. Flocks of sheep rove the hillside with farms in foreground, all bustling and interwoven into a rural tapestry that America has almost forgotten. Ireland remains one of the the most functionally rural European country’s, where men over the age of 70 can be seen in the tractors hauling hay, while the elderly in America linger in nursing homes. Experiencing a nation where the food is fresh, without preservatives and processing, can have your body feeling stronger and more awake, in a relatively short period of time. Here I will venture to share a rare introspective moment that took place from this beautiful scene. Things at times become incredibly clear while hiking, super-clear. I began to think about America, and it was perhaps a thought I had been waiting to have for some time. Americans are confronted with a universe of processed and artificial foods on a daily basis, wars, social movements, and scandals, and while hiking in the safety of a place like this, I simply could not help but wonder what the hell has been going on in the United States for the last 15 years, and how the rest of the world truly sees us. It is borderline embarrassing. Ironically, so many locals in Newcastle expressed their desire to be in Boston, where I was from, having little awareness of the truly challenging social experience America forces upon its citizens today. All of this crossed my mind as I made my climb. Turning and facing the peak the wildflowers ran concentrically in what felt like a spiraling parade of color, radiating down the ledge. These are the places to wade in, like wandering into a dream. The brush here is deep, knee high, and strenuous to climb. The Irish Sea is only about 7 miles away, and the hedges have a toughness to them, a saltiness just beneath the surface, perhaps carried on the wind. Complimenting this faint ocean breeze is a strong Sun which can be felt warmly on the skin. Although many people do not picture Ireland’s climate in this way, when the Sun is out, windburn is a real possibility in the heights; in The Mourne the body can be fooled by the wind, seeming cool while outside, but later revealing a burn when out of the breeze.
It is said by Hebrew texts, that the fall of 300 angels took place, once upon a time, upon Mount Hermon, in Lebanon. While hiking in the heights of many mountains this is a story that has crossed my mind many times, especially while approaching peaks. If this story were true, than this culture of fallen angels would have claimed the high places first, coming from above, however surreal it sounds. And what we find in so many of the high places, in mountain ranges all across the world, are megalithic statements of impossibly large, but crafted stones. Hen Mountain’s peak is capped in solid rock, with indents and fixtures that are seemingly crafted into it. The anthropological side of hiking takes place as you explore the rocky ledges in the heights, and turn to see the beauty of the valley below.Simply put, the rocks tell a story, and a well trained eye can read that story. There are lineations in the rocky peak that are hard to describe. These parallel streaks look to have been burned, or smelted into the stone. These streaks look eerily like they were made to mimic the rippling landscape beyond, all at the top of the mountain.Here at the peak, this single 1 ton stone sat freely and in complete coherence with the parallel streaks beneath it. There were no other stones like it. With the scruffy wildflowers that somehow spurt out of the crags in the rock, and the layers of green beyond, this feels like the precipice of another world, however small the mountain truly is. This is the game that the peaks of mountains play, no matter what part of the world you find yourself in. At only 1,653 feet the feeling on Hen Mountain is still ‘top of the world’, as the Celtic landscape rolls nakedly away into the horizon.
Facing to east at the peak Sandbank Trail can be seen approaching an elevated knoll at about 1200 feet, just below. The view beyond this “porch” is stunning, leading all the way to across the Mourne to Newcastle at the coast. In this spot there are two distinct rocky fixtures that sit like ‘gates’ as the trail passes through, and between these two fixtures is a free standing boulder that I believe was placed here as a kind of ‘marker’. A closer look at this rocky “gateway” and boulder revealed a compelling case for megalithically cultural craftsmanship.This boulder stood perfectly square at roughly 8 feet high, and 3 feet thick, upon level rock beneath. The indentation of the lower portion of the boulder, again, had the look of ‘smelted’ rock, of a design, like a cherished chair. What is more compelling about this megalith, is the exact spot upon which stands, in a beautiful gateway on the northeastern edge of the entire Mourne range, as if to say “Welcome to The Mourne, enter!” Beyond this very spot is every other mountain in the region, including Bearnagh Mountain, which contains some of the most ancient roads, and cultural stones, in the entire world. If you ever come to The Mourne Mountains, The Hen’ is a perfect place to either begin, or end your experience, as a ‘gateway’ for the entire range and relatively pleasant climb. As all hikers do, I eventually made my way back down into the valley-village of Hilltown, and simply walked back east along the Sandbank Road. Be careful here, the Irish drive at one speed, fast. On my last day in The Mourne I witnessed a sunset from the eastern edge of Hilltown that sums up the entirety of the potential experience, stunning. Anyone visiting here can experience a waking dream; it is simply a matter of going. And although this particular article was filled with more personal introspection than usual, I would like to reiterate that the soul point of each featured place is to make the hike tangible for you, the reader, so you can picture yourself getting there, above the valleys, to the stone gateways in the clouds. Thanks for reading, and go strong.
Location: Ashburnham, Massachusetts/USA
Note: The natural beauty of trails in New England, particularly in Fall, is such a blessing for those seeking a break from the suburban inundation that is the trademark of world wide modernism. That’s a mouthful of fancy words for those just seeking a peaceful, compelling, and pleasant space to hike, which Ashuburnham’ definitely is. The paths here are wide and welcoming, with golden leaves literally lining the forest floor. Mingled into these golden pathways are collages of foliage, rusty-red and green with pillar size Pines, Ash, Elms, Birches, Oaks, and Maples arching over the pathways. There are several trails in Ashburnham’, most of them running north to south towards Mount Watatic Reserve about 7 miles away. The Lincoln Pond Trail is the main route through Ashburnham’ which is gladly featured in this article. This is the ideal place to keep in mind that in so many stories forests are places of enchantment. From Grimm’s fairytales to Shakespeare’s magical midsummer backdrops, historically in literary works forests have been places where extraordinary things have occurred. Places like Ashburnham’ are a superfine example of how the most delightful and unassuming woods can hold subtle secrets within, secrets that are somewhat hard to explain and bordering on the magical dimensions so many stories try to relate. Native American stories are also part of this landscape, which have unfortunately been lost to history. It should be recognized that Native stories were deeply connected to specific spots. Elevations were considered “places of power”, and various landmarks had histories behind them that often imparted a moral memory for future generations. All these things are literally stirring in a place like Ashburnham’. Simply put, there’s a lot more going on in the forests of the world than just wood, water, soil and stone; if you go deep enough, often enough, you will see.
The southern entrance of Lincoln Pond Trail is a quiet country road with no visible street sign. It is just off the intersection of Hastings and Stowell roads, and is a bit hard to find, so bring your navigation device. This short country-road leads to the small car-park area, just beyond a farmhouse and picturesque barn at the end of the lane. As soon as you begin striding into the entry path there is a feeling of watchfulness. This feeling is far from fictional; ‘watchfulness’ is the unforced moment when you realize that you are not necessarily observing the forest, but rather, the forest is actually observing you. It can take years for some people to pinpoint this moment, while others acknowledge it within a few short hikes. It is a lucky feeling to achieve if you can. The misty entrance at Lincoln Pond Trail is the embodiment of “the old-growth ‘gateway'”, where the possibility of this feeling emerges in each bending branch and whistling breeze. With a swift mist moving through the deep multicolored forest, you might begin to grasp that hiking is anything but primitive “walking”, it is a Godsend treatment for your sensory.
Entering Ashburnham’ in late Fall of 2016 I realized that this would be my last real hike of the year. I had now seen roughly 30 state park nature Reserves in the last 4 years, inclusive of 5 countries and 6 States, (among those various countries). Since walking into Kinnitty Forest for the first time, in the heart of Ireland 4 years ago, where my girlfriend stumbled on a seashell at the top of a mountain, my life has never been the same. I discovered that if you stroll into even the most unassuming looking woods (even in the middle if Ireland), if you look deep enough, or climb high enough, you may very well find something truly wonderful that could change your outlook on the world. This was subject matter they didn’t teach us in schools, even at universities, which made it all the more stunning for me. Eventually, if thing s like this happen you have to ask why? Why does every region that has yet to be suburbanized, including most of the surviving forests and mountain elevations, contain megalithic stones, ‘linings’ and cairns that are practically hidden in the landscape? why is it not brought up in our text books? It has finally become clear to me. The first culture on Earth, the first layer of culture, is a Megalithic Culture; This was an ‘engineering capable’, technologically proficient, culture. The second layer is the Native period. The third layer is the Colonial period; then the fourth layer is the Industrial movement, and the fifth Postmodern. If this is correct, than in places like Ashburnham’, where there are no layers to cover up and interfere with this first layer of Megalithic Culture, the cultural stones will be discernible. The trails here should reveal stonework just beneath an ocean of golden leaves, like a visibly enlightened landscape that guards the greatest stylized historic secret on earth. It’s like hiding a sword in a stone, deep in the forest of some forgotten place, just waiting to be pulled up.
To begin, as you wander in, right away, on both sides of the trail, are beautiful stone-linings that follow the path. This is the sign of a truly ancient Reserve. Following these stones will most often lead you to something even more compelling, a rocky ledge or waterfall, which is a pattern that is also true in the fantastic Celtic Reserves to the east, across the Atlantic Ocean. Along this main ‘artery of stone’ is a tour of fantastic expressions, along with what looks like a powerfully regenerative place, a wonderfully healthy old growth forest. Groves of baby Pines flourish here, which can be seen about a quarter mile into this trail, just off the path. It indicates an ecosphere of high quality nutrients in the earth and air. The positive benefits of these energies for people is not dramatic hokum; the effects on human beings are equally reviving, and certainly far more beneficial than say, walking on the pavements of even the “nicest cities”.
The classic stone-linings in Ashbunrham’ have another quality that makes the case for an increasingly in-depth explanation as to what their purpose(s) may have been. There are places in the ‘linings’ that are clearly and distinctly leading to specific boulders. Just like the head of a large serpent, many of the stones are capitalized with a free-standing boulder that seems to have been placed directly into this construct, intentionally. The idea that stone-linings, which run for dozens of miles through the landscape at Ashburnham’, were simply built along glacially placed boulders sitting at random just doesn’t make sense. The stone-linings create an order in the forest; they are a logical expression of control and directionality. Basing an entire network of megalithic stones on random ‘glacially placed’ boulders seems opposite to the entire point for a culture that actuated meaning int he deep woods by placing lines of massive stones. The boulders were most likely inserted into the stone-linings, just like other lessor stones, however hard that is to believe. And this still doesn’t answer the question, why? Below is an example of just such an expression. This classic stone-lining, which is partially covered by the foliage, runs straight into this massive boulder, like the head of a snake. Even the picture doesn’t do the scene the justice it compels in person.
Lincoln Pond Trail is a comfortably gradual incline that twists through glades of differing densities and hues. It is entirely pleasant strolling through. Eventually the golden leaves are left behind for Maple glades, with red burning red leaves rolling at your feet by the thousands. Hiking here is like twisting through a tunnel of colors and variations. The effect of color and variation on the brain is a positively stimulating and beneficial one, refreshing the senses with a refined palate for natural beauty.
Drifting into this rouge dimension there are other amazing changes to see. A literal matrix of stone pathways begins to emerge; these are stones of a style I had never seen before just beneath the foliage. About 40 yards deeper into the woods, parallel to the trail, is a three-foot wide, by three-foot in height, lane of inserted stones that rolls like a wave through the old-growth woods. This is thousands of stones in an obvious statement which is boldly protruding above the ground, like a tunneled highway for Beavers. It continues for perhaps 400 yards beyond this spot. The meaning of this second style of stone through this gorgeous stretch of Maple groves is an additional mystery, but it is simply an addition to an entire set of mysteries that emerge here. Continuing along the northern line of these stones, the ground slowly elevates the path into a more unique part of the forest at Ashburnham’. This mysterious network blossoms into more obvious statements. It is hard to tell if certain areas are ancient living spaces, or focal points for some kind of work place; or perhaps this is an engineering statement with a functionality yet to be deciphered? The one thing that blatantly stands out here is that there is an entire culture of stonework beneath the leaves. If this were a Celtic area the stones and their layout would be much more visible, as the greenery of indigenous Celtic ranges, and forests, are most often layered with minimal skins of glowing moss, but not much more. Look at the right angles of this stonework below. It is clearly defining the space with stones, but the purpose is hard to decipher. These statements run for miles through the woods. Once upon a time these stones dominated the entire landscape uninterrupted. It is conceivable that the stones were here before the forest even existed.
About 150 yards from this spot, off trail, is an entrenched set of stones with the look of a habitable dwelling. These dwellings can be found in crafted spaces much more distinct than here at Ashburnham’, yet to find this indicates that this place was definitely endeared and highly valued as “livable”. The stones below show a corner-section of what was once someones home, most likely in the beginning of history.
To add to the mystique of this spot, just 10 yards way is an extension of these stones that is symmetrically aligned, with a distinct quartz boulder centering the scene of entirely granite stones. The area is obviously in ruins, but there is an alignment to the overall remaining arrangement. It should be noted at this point, that none of this has anything to do with Colonial farmers. A cartographical recording of this area, a full archaeological review, will reveal a massive stone-network that is the basis of an entirely engineered landscape, harnessing sunlight in certain spaces, creating enclosures for harvested plants, connecting fixtures for navigational purposes, and relegating certain areas for irrigation. This is the case for almost every forest in western Massachusetts. Simply put, there’s a Megalithic Culture under there.
Ashburnham’ is a forest without a mountain in its midst. This makes for a more pleasant stroll over the course of about 3 miles of pathways. It does have slightly a elevated clearing, one 60 foot high ledge that sits like a rocky bald head just above the small valley to the north before reaching Watatic Mountain. as you climb up the forest peals aways and a beautifully rounded rocky ledge emerges, with what looks like molded slabs that feel hollow beneath your feet. The mist culminates here, as if you were walking into a cloud. Seasoned hikers eventually learn that scenes like this are priceless, and relate a side to New England trails that is real and authentic, akin to the dreamy visions that must have prompted stories like ‘The Headless Horseman” which famously took place in the New England forests of Upstate New York, where the woods were an entirely enchanted zone not to be taken lightly for Colonial settlers. This mound feels like another planet as you make for the top.
The giant slabs here seemed ‘custom fashioned’ to the hill; they are arched and fit perfectly to the rounded sides of the broad knoll while becoming more flat towards the flattened top. This fits an awesome pattern of higher elevations where ledges are carved-out and specifically rocky, while being surrounded by soil-rich old-growth forest. In short, it’s like a rocky island on an ocean of soil. I will not go so far as to say that these stones were crafted, but the surreality to the scene, the suddenness of these uniquely fitting stones along the rounded path, seems to have some kind of secret to it. To add to the mysterious situation, at the top of the rocky knoll, which is about two miles into the forest, a massive stone-lining of a style and consistency I had yet to see anywhere, even in Ireland, Wales, or Scotland, emerged rolling directly over the mound. Each stone was proportionally equal, and at least five times bigger than the average stone used in the two types of other stone-linings already tracing the woods below. Each stone looked to be at least 300 to 400 pounds, and not a single alternate stone could be seen in its procession. Whoever engineered this lining had a puritanical streak, a stubborn need for crafted consistency, which is artistic step up from the craftwork of the designers below, literally and figuratively. In the elevated milky mist, with the burning red Maple leaves looming just at the edge of the hill, it looked otherworldly, like a train track running from hell to heaven. This is an undeniable trend in so many old-growth areas; impressive stone statements placed specifically at the higher elevations of forests. This is exactly what Natives called the “place of power” in their stories. One thing that is obvious about this scene is that on sunnier days the area will obviously absorb unobstructed light for a maximum amount of time, along the with the stone-linings running over them. This set up may very well serve to channel that collected energy from the Sun out into the forest beyond, into the other stone-linings, and the valley below. I have seen a set up just like this at Cavan Burren National Park in Northern Ireland, where the landscape is interconnected by Megaliths, and of course blatantly misunderstood by local “scientists”.
Coming down from this knoll Lincoln Pond Trail continues northwest, where fields and clearing are lined again with stones at the edge various and beautiful glades. These are perfect spots to sit down and appreciate everything you might have seen. The trail extends for several more miles before an optional loop back to the southern entrance, or an exit to the north. It is important to note that in several other locations in the woods, while exploring this area, there were amazing and mysterious things to see. I came upon a huge lining of stones with a symmetrical tint not far from the southern boarder. It was impressive, with the larger stones towards the top, which is another strange trend to be found in old-growth stoneworks in New England. Any mason putting the larger stones towards the top is making a bold statement, as if to say, “I can do whatever I want, despite the difficulty of crafting the structure this way.” This lining below is not far from the entrance of the trail, roughly 40 yard off to the right of the path. There may very well be something buried beneath this incredible mound. There was a great deal of effort and time put into stacking and leveling these 100 to 500 pound stones, the higher the heavier, which indicates the unique and unlimited mindset of whoever built it.
And finally, not far from this ‘lining’, is what I believe to be the remnants of a New England Dolmen, now in a dilapidated state. This rounded boulder was clearly supported and elevated by other stones beneath. It is now only partially supported, which has happened to several Celtic alters abroad. Whatever the truth is about this area, it is obviously an enchanted cultural center that the forest has grown over, and in a beautiful way. It’s time for anthropologists to get their heads around the idea that the stones were probably here first, and the forest, like a grafted grid, grew up around the Megaliths.
Ashburnham State Forest is the epitome of the enchanted New England hike. These woods are in a wonderful state of ‘spooky respiration’, augmented by a universe of color and decor along the trail. This place supports every magical fairytale that has ever been told, but more importantly, it supports a very real Megalithic cultural scene that increasingly emerges with each and every hike taken through these woods. Celtic places have a very similar feel, an it just becomes impossible to ignore the Megalithic foundation of these old-growth regions in New England. If you want to see something sacred, simply find your way to Ashbunrham State Forest; it won’t take long, but be sure to take your time.
Location: Blacklion/County Cavan Ireland/Cavan Burren National Park
Note: Much like the way the Skellig Islands on the southwest coast of Ireland are represented in the final scene of ‘Star Wars/The Force Awakens’, Cavan Burren National Park feels like the last bastion for recluse Jedi Knights to live out their days in a galaxy, far, far away. The only way to describe this set of rolling Celtic elevations, the cinematically striking Hawthorn trees vibrating on the horizon,the ancient stones strewn across the valley like dominos, is complete scintillation.
The rare and strange megalithic ‘calf house’ in the top image above is at the base of a small mountain. The excellently constructed trails here wind down the elevation and diverge along paths which take you into pristine Celtic forest bedded entirely in clover, with ancient megaliths in mysterious rows running straight through the trees.Known as Killykeen Forest, this significant preserve of rare Celtic trees feels like an original fairytale backdrop. Adding to the universe of rolling clover are huge boulders covered in moss; these are giant green monoliths glowing between the roots and branches along the trail.
Moving deeper into the woods the sunlight blasts away beyond the hedges, while occasionally unrestricted shafts of light peak through into the inner thickets. When the Sun peaks through the mossy trees and hedges they shimmer with a misty light. The woods here are like the opening scene for the most classic Celtic myth, at one moment bright and shimmering, and the next, shadowy and dark.You can take the lower trail away from the forest to caverns and small cliffs where saint Patrick himself may have met with Druid kings. These caves are supported by what look like singular pillars which were carved out of the cliff at some point, either by an ancient culture, or by the wind. It is for you to decide. Before you make your decision about what’s possible and what’s not, consider some of the most amazing megalithic chambers in the world waiting to be viewed nearby…In a grove of ancient mossy stones and trees, set in an otherworldly vision about 1.5 miles into the lower trail, is one of the most amazing and mysterious megalithic chambers in Ireland. In this grove you almost expect a reclusive Jedi Knight to emerge from the mysterious stone chamber, which is clearly the centerpiece of this scene. This of course is an imaginary context, but the actual depth, beauty, and mystery that exists here is not imagined at all.
This is a 4000 to 6000 year old Celtic megalith. It is a mix of a wedge tomb, cairn, and stone chamber all in one. It should first be understood that the limestone slab that has been placed as a type of panel above the small entranceway looks to weighs at least 10 tons, if not more. This is a four inch thick, rock-strip of 7 by 14 foot wide singular slab, of solid limestone.To quarry and craft this chamber would have taken an immense amount of work, yet there are no markings on it. No chips from a chisel at its edges, or Pic-axe cuts of any kind. The dedication and resources of an entire village would’ve been necessary to quarry and move this stone to this specific spot. This seems like an extremely strange amount of effort for a Neolithic village to produce just to build a “house for a calf”, which is what the archaeologists of this area have actually had the nerve to label this chamber. The idea of a community exerting the resources and risk necessary to transfer this specific monolithic stone in a precise placement and location just to “house a cow” is insultingly absurd, and borders on fraud.
A refined consideration of this chamber should first take note of the specific angle of the slab, which, as can be seen by the refractory blast of light glaring off its surface (first image above) is facing directly towards the course of the Sun through the valley. The specific angle of this extremely hard to move megalith indicates that it was intentionally placed in such a fashion in order to absorb as much of the Sun’s energy as possible. Additionally, connected to it, absorbing the Sun’s energy, are three stone-linings. This is a type of energy epicenter. Just as solar panels are angled on rooftops and plugged into an attached house for energy, this slab looks to serve the exact same purpose with the connecting stone-linings. This is a Neolithic solar panel distributing the harnessed energy of the Sun to the stone-linings which act as ‘cables’ transferring energy out to the landscape. Look at the stone-linings (which are a massive megalithic project also) in this image below, they plug-in and diverge in three different directions, which leads us to our next observation about this magical grove where wildflowers bloom like muffins in the grass.Modern archaeologists have dismissed these stones as primitive objects thrown down without any secondary functional purpose, perhaps other than to restrict the movements of herds. That’s problematic from the start. These stones couldn’t restrict a blind billy goat with three legs. This is a massive amount of effort to build something that doesn’t even perform its assumed functional purpose. This is because it’s not a “wall”. If we truly look at this scene functionally, from an engineering standpoint, it starts to make sense. Stones have energetic properties, transferring and storing energy if harnessed. How do we not acknowledge this in our particular day and age? Distributing harnessed energy is what our modern culture does with miniature ‘microchip landscapes’ every day. How could we not identify this larger model for the exact same concept, which is a landscape with connectors and harnessers of solar power that synergizes the entire area? This is the first engineering culture on earth, fully conscious of the utility properties of the elements in the landscape. Early antiquity was anything but primitive. “Archaeologists” selling people the idea that this priceless monument is a “calf house” are a patronizing disgrace.
Just 10 yards from this beautiful chamber is an amazing isolated boulder that sits specifically above another granite foundation. There are no other level granite tables protruding out of the ground anywhere else in the grove. There are perfectly parallel slashes along the side of the free-sitting boulder, which gives the impression more akin to a sculptural statement, or display of decoration, rather than clumsy cracks from random toppling.This boulder was specifically place on this exact spot as a marker for anyone approaching the area. It is obviously a statement that displays incredible strength and ingenuity, warning anyone passing through that the region is habituated by an individual(s) capable of this statement. The area is inundated with cultural megalithic statements, and yet, “scientists” somehow have the nerve to isolate this particular statement of megalithic balance and power, as random “glacial activity”. People need to get their heads around the idea of megalithic engineering in antiquity, and the ability to move and utilize massive stones. These engineered stones are in every forest and wildlife reserve from Gortnavern Ireland, to Monument Mountain Massachusetts. We need to stop being afraid of the possibility of a different history that the ‘postmodern era’ has perpetuated. Cultural history, after the last glacial flood period, spans some 12,500 years. In just the last 100 short years of human culture, which is a whopping 8% of the overall Era, ‘modern culture’ has decided to literally theorize everything, just ignoring the other 92% of cultural history along with the various forms of evidence we have inherited but mostly ignored. When defending the the 92% portion of overall history with a “modern scholar” they will dismiss the concrete evidence of engineered megaliths and historical texts with the painful logic that these statements are “just too old to be true”, or ” made-up stories created to manipulate culture”. This makes a practice of dismissing anything outside of the approved of narrative. If cultures just follow narratives and not the scenes themselves, those cultures will forget themselves. These stones are incredible coded puzzles that have been handed down to us from antiquity. They are literally priceless. In all our “modern wisdom” we still have yet to explain the purpose for these wedge tombs. This fact alone is enough to dismiss the assumptions of those who say that todays era is the height of cultural progress and achievement. It simply isn’t true, and the stones prove it. Let’s look closer.
Just 2oo yards further up the trail is yet another priceless megalithic statement. This classic Celtic Wedge Tomb is at the top of a beautiful knoll with a 360 degree view on the Reserve. Placing these stones at this elevation would’ve been a serious endeavor, requiring years of specified labor.
This chamber has several features that are mysterious and fantastic. Roughly measured the chamber reveals a 17 foot long set of fitted and crafted blocks of limestone. There is a captivating symmetry and set-up to these 1000 pound stones, with a centered entranceway. Two ‘pillar stones’ guard the entrance about 7 feet from the immediate left and right of the center entrance. The implementation of symmetry into a grand stone scene indicates dynamic planning and geometric comprehension, even beauty.Their are squarely placed roof and side-stones which are cut and fitted in eloquent styles. Beds of vibrant wildflowers populate the hill all around the chamber. With the clouds rolling swiftly by above the entire scene it truly feels dreamlike and utterly surreal. There is another classic wedge tomb on the initial elevation when starting the trail. Unfortunately this chamber is dilapidated, but with the help of the other chambers down the trail, we can make a pretty good guess as to what this scene may have looked like once. There are 1000 pound ceiling stones which have been toppled, while the side stones are no longer standing straight up. It was once a beautiful limestone chamber with an incredible view of the mountain beyond. There’s a good chance that this chamber once mimicked the beautifully distinct Culigagh Mountain in the background, which is a technique found in many of the stones at Mount Bearnagh in the Mourne Mountain Range to the east.
In review, the designated trails here are a short 3 mile loop that take you from megalith to megalith, branching off into the forest as well. The roads and pathways approaching the Reserve run for several miles all their own, and are completely accessible as well. This is a once in a lifetime excursion. The first culture in Ireland once thrived in this region, and found joy in creating impossible engineering spectacles built into the landscape, too grandiose to be removed some 6000 years later. Photography here is an opportunity to capture the beautiful spirit of Ireland’s oldest rural wonderland. These images tell a tale of complete beauty and mystique, of wonder and grandeur. An excursion here can lead you off-trail too, where Celtic stone-linings might be your only guide for miles. If possible, give yourself a chance to discover something away from the path. Wander into the hills to experience the breezy sway of the hillside brushing against your gear. A nearly scriptural level of simplistic beauty can emerge while passing by the flocks in these hills. The realness of witnessing a hallowed ‘rural order’ gives us a primordial reminder that life can hold incredibly simplistic beautiful moments, if we so choose. Cavan Burren National Park is the perfect place to wander into that type of moment. Seek and find.
Location: Erving, Massachusetts
Elevation: 1,067 ft
Note: Running along the northern border of Massachusetts is a unique set of rolling “small-mountain” ranges. These elevations are too tall to be called mere hills, but too small to be known as full-fledged mountains. Rattlesnake Mountain sits in the heart of this range in the northwestern portion of the state, surrounded by similar small-mountain peaks in Monroe and Savoy to the west, with Watatic to the east. The woodsy entrance for the car park leading to the main trail at Rattlesnake Mountain is nearly hidden, just off Rt 2A, about 100 yards from Maple Ave, in the picturesque country-town of Erving.
The trail at Rattlesnake’ is essentially a 2.4 mile loop that broadly encircles a massive metamorphic rock ledge. Known as The Farley Ledges, this precipice is enveloped by trees, standing about 220 feet high, and about a mile-and-a-half wide, east to west (image below)… Rock climbers scale this ledge in a world all their own, paying very little attention to the boulders and stones that line the ground below. If they did pay attention, a closer look at these stones reveal something pretty amazing. Here at Rattlesnake’ there is a megalithic mystery that reaches deep into the heart of Massachusetts forests and mountains, a mystery that most often goes unspoken. Simply put, there are hundreds of gigantic cut stones which are measured and marked inundating the forest floor just beneath the ridge. There are pathways that run directly into this “stone playground” where various crafted stones sit (image below)…Other megaliths are fixed in some pretty curious positions in arrangements near the trail, winding like a display along the ledge (image below)…Some of the stones look to be placed in specific places, while others look to have been tossed about like giant toy blocks. The incrementation markings on the huge stones are not in inches or centimeters, they are some other form of measurement entirely. The image above is of two rather long rectangular pieces thrown into a pile at Rattlesnake’. Pieces exactly like this exist at the pass of Mount Bearnagh in Ireland (image below)… They also exist at Lynn Woods Reserve in Lynn Massachusetts (image below)…which is 40 miles east of here. Look at the incrementation on the stone in Lynn Woods; between the long marks are 9 short marks. What system of measurement uses increments of 9? And there are countless other places throughout New England where this specific type of rectangular piece can be found. As documented proof of these megalithic stones is slowly compiled, it becomes clear that our modern culture is built directly over what was once a megalithic culture. In old-growth forests and mountain ridges where houses have never been built the evidence for this culture still remains. And please remember, these stones are several tons each, if not more. Whoever cut and placed them, had the ability to do so, and without strain. Other stones beneath the ridge are smaller square pieces (image below)…
And more stones can be found here, some covered by countless seasons, or are partially entrenched in the earth. It becomes clear that someone literally went to work in this area, and was utilizing megalithic size stones the way a carpenter uses wood blocks (images below)…
As you head east along the initial trail, passing by these monoliths and huge fixtures, there are other stones that emerge which are relevant to the patterns of megaliths in New England. The equilateral triangle has showed its face in stone in almost every deep woods hiking trail and reserve from northern Maine to western Massachusetts. Here, somehow fixed into a boulder, was a perfect equilateral triangle (image below)… It is at the center of this massive fixture, with a cubicly cut stone to its left, and another perfect equilateral to its right. All of this is under a rock precipice serving as a roof which looks to weigh about 100 tons. The overall symmetrical setting is above (image above), with the central equilateral in the middle, sitting on a perfectly leveled shelf of stone. Please understand, this stone is part of the boulder beneath it; it was carved out to protrude specifically in this fashion. I could not move it. Here’s a closer look (image below)Just a few feet up the trail is another fixture with a equilateral triangle that is guarded by several massive stones. This stone is not only an equilateral, but is a three sided prism that is connected to the boulder beneath it. (image below)In the woods of Upton Massachusetts there are granite cut equilateral prisms attached to the boulders beneath them (image below), extremely similar to these stones found at Rattlesnake’. I believe the Triangle is the megalithic “calling card” of the ancient culture that once dwelt in the hills of New England, just as the Spiral was the calling card of the megalithic culture that once dwelt once dwelt in Ireland. If you recognize this, then you will realize that New England, in its own way, is a landscape that is just as mythical and beautiful as those traditionally endeared in England, Ireland, Scotland, and Wales. When you hike through these small mountains, you’re hiking through zones of ancient mysteries yet to be solved, but can be seen right before your eyes. The trees of woods are spaced amicably, with small groves of baby pines and birches emerging in various areas. Enjoy these beautiful groves (image below )… With all of this existing right infornt of you, it can be hard to get back to the natural beauty of the trail ahead, which is another wonderful aspect to hiking the forests of New England and Rattlesnake Mountain. As you step away from these mysterious alters beneath the grand ledge, continue east. After about 1/4 mile you will come to a stream rolling down the mountain from above (image below). Turn to follow this stream upward, as you are now on the eastern extremity of the trail (image below).
This waterway is so similar to Celtic scenes that you might find at Tollymore Forest in Ireland, or Killarney National Park. The rocks are strewn over the flowing water, with glowing moss beyond. Following the waterways clears the senses and improves your “sound palate” with the soft trickling and smooth rolling of water over stone. This consistency of sound eliminates the sensory overload we experience in our daily lives, which have become controlled blasts of commercial intrusions. One walk along these streams can clear your head for days. Continue up the incline which follows the stream until the trail crosses over the water, to left, at the top of the hillside. The trail continues into an elevated old-growth forest with a classic New England blend of Oak, Maple, Pine, Beech, and Birch trees. Looking northward this forest continues all the way into Vermont.(image below)Continuing west on the elevated trail there are minature ledges with tiny pillars creating a tiny cavern on the underside of the precipice (image below)…At Cavan Burren National Park in Ireland, where there are some of the most astounding Celtic megalithic monuments in the world, there are also notable stone ledges with the small pillars creating a cavern beneath the tiny granite ridge (image below)… After passing these curious small pillars the trail continues west for about a mile, where other large flat cliffs emerge to the north. These gigantic shelves are layered in loose parallel shafts for 50 to 100 yards each, at about 45 feet in height. (image below)
In some places there are small standing stones at the edges of these small cliffs (below)…
A similar stone in the historically megalithic town of Upton stands, just like this stone in Rattlesnake’, along a large stone-lining near the ancient Upton Chamber (below)…
Keep in mind that these are not “small” stones, they are cut and crafted granite pieces that go as far into the ground as they are above; and they are perfectly squared. They are clearly a cultural marker of some kind created in antiquity. You will continue to follow the trail west until it turns left again, towards the western edge of the Farley Ledges, where the best lookout of the trail is found after about another 1/4 mile. The woods on this western edge of the trail are massive shelves and boulders overgrown with classic New England Fauna (image below)…At the western extreme of the trail, over looking Route 2A, is the southerly view of the heart of Massachusetts (image below)…
After taking in this view, the last portion of the loop descends back along Farley Ledge to the east. There are miniature canyons below, and gigantic granite walls slicing through the hills (image below)…You will eventually come to a lower crossing of the stream at the eastern edge of the trail, then head back down to the megaliths below at Farley Ledge.
Rattlesnake Mountain is yet another example of classic New England hiking that combines practically magical megalithic statements in the forest and mountains with a pristine hiking experience. Time after time, forests and mountains of Celtic and New England places reveal a related megalithic mystery yet to be acknowledged by so many academics. Rattlesnake is clearly one of these sacred places, and it will grant the hiker a vision of something miraculous, something which is calling out to us from a culture that left its mark in a way that will never fade. You can touch these signature stones yourself, see the size and scope of them, walk the trails, and simply wander right into the hallowed wonder of it all.
Location: Glastonbury, Somerset/England
Elevation: 518 feet
Note: For hiking enthusiasts the experience of moving through a chosen landscape is joyfully justified. The spaces people choose to traverse often reveal something relevant to their personal stories and dreams. I met a woman last Summer in Baxter State Park, Maine, who, after giving me a ride back to camp with her husband in a pick-up-truck from the edge of a gorgeous old-growth forest, pointed straight at Mount Katahdin in the distance and said: “Now there’s the most beautiful view in the whole wide world!”(image/right) And that’s really all it takes; a good story, or an enthusiastic sentiment, and suddenly you’re hooked, and soon you find yourself making your way to a trail full of wonders foretold by others. I hiked to the peak of Katahdin the very next day, and it was truly beautiful. There are few trails that contain more of this type of impetus than Celtic ones. They encompass all the qualities that persuade hikers, with epic natural beauty, and an even more epic mythical history. The place featured in the first image above is not a physically domineering expression, like Mount Katahdin, or Mount Snowdon in Wales, but in terms of legends it is absolutely massive. Any hiker passing through Somerset County in England would be totally remiss if they didn’t stop to take this beautiful short hike to the top of Glastonbury Tor, otherwise known as Avalon.
Avalon is the English equivalent of Israel’s Mount Zion. This is a Celtic holy hill which was once a zenith for spiritual practices dating back to the Druids, extending into the Arthurian Legend, and dwindling into the Dark Ages to Medieval times. It is believed that Avalon was once surrounded by water, like many sites in England once were, making it an island. This ecological consideration legitimizes the history of the hill, as scientists do see signs that it was once surrounded by water perhaps 1700 years ago, or more. The brilliant rolling countryside we now see from Avalon, was once a watery stillness that provided protection to its mystics. It remains a brilliant vista to this day. It is also believed that King Arthur was buried here after his epic battle with Mordred, and was ultimately carried across the water by an angelic vessel, laying Arthur to rest at Avalon until the future merited his prophetic return. The Hill of Tara in Ireland (image/below) has similar stories of sanctified kings that are buried in the pristine hills within its vicinity. These kings will one day return when needed in the late future, according to the legend. This lends tangible historical relevance to the Arthur Legend, a connection of the use of grand hillsides for the burials of kings, and prophecies of future return in Ireland. There’s a pattern there, and it must have a source. And this is what anthropologists are attempting to find, sources. How much of these beautiful stories are based in reality is for us to discover. The french poet Thomas Malory is responsible for a great deal of the comprehensive Arthur Legend, which he wrote in the early 1400’s as one of the most concise efforts to consolidate the Celtic folktales of England, Ireland, and France. The word-of-mouth myths that Malory utilized are the real priceless items. These stories were so numerous and similar that it made the myths possible, and it seems likely that there is an origin where the very real figures existed once to inspire the entire culture to embrace these themes. During the Saxon incursion of England after the Roman withdrawal around 400 C.E, a wave of Germanic people came from the continent and swept across south-eastern England. Historians have discovered a specific line about halfway into England, where German burials and cultural objects absolutely stop, and English/Celtic items remain. We can deduce historically that there certainly was a leader who stopped the Saxons dead in their tracks. It would have taken incredible conviction, resources, and sacrifice to blatantly stop an incursion, and interestingly enough there just happens to be a legend of a king who did this precise thing, Arthur. This qualifies Avalon, and the entire Glastonbury area as a sacred place on every possible level.
Trail: There are a few approaches to the minor peak of 518 feet. You can start from the entrance way coming from the Glastonbury side, at Wellhouse Lane. Simply cross the street and pass the gate to head up the hill. This is near ‘Chalice Well’, a holy site related to the overall scene.
A secondary, less ‘touristy’ approach, is to the south-east at the end of Ashwell Lane (above image), where there are countryside homes, horses, and ponies grazing in the fields. You can park your car on the side of the road and take the hedge covered path to the second gate.It is at the Ashwell Gate that you pick-up the trail and get your first glimpse of this massive hillside. There is something about it that doesn’t seem natural, as if it is layered beneath by massive ridges which can be seen with the naked eye from a distance. Anthropologists believe that a Celtic hill-fort most certainly rests beneath the surface, among other things. The incline is about 60 degrees, making the approach of any enemies in ancient times almost futile. The hill also glows with a particular type of moss that the oldest sites seem to sponsor throughout the Celtic world. Follow the trail to the south westerly lane that climbs around towards St. Michael’s Tower at the peak. While climbing you may see people invoking Celtic ‘energies’ in the Tower, lifting their arms in praise of the Cardinal Directions and energy-lines, better known as ‘ley lines’, on which Avalon sits.As you climb you will feel that there is certainly something strange going on beneath your feet. It’s like walking on a giant earthen drum. If you stomp the soil in certain places a hollow reverberation can be felt. This is the mysterious feeling that you can only experience actually hiking here, not looking at images. The point is to try to get there. After hiking about 400 feet up a finely crafted pathway, you can look back at the beautiful medieval village of Glastonbury. The hills in the distance are like glowing pastures in the clouds, giving us a glimpse of the security the ancients must have felt from the top of this amazing ‘Tor’. At the top is St. Michael’s Tower, which stands like a stone-antenna sponsoring a 360 degree view of England. There is a specific spot where it is believed the energy of all the directions culminate. It is marked with a circular-stone-step where you can stand and appreciate the moment. This is certainly a place to just plop down, relax, and wonder. The southerly view looking back on Glastonbury from St. Michael’s Tower is nothing less than a ‘storybook’ vision. It can only enhance a hikers experience and appreciation to reach the short peak at Avalon, otherwise known as Glastonbury Tor. Glastonbury Abbey is in the distance below, which is a venerable cultural center with historic substance all its own, intrinsically related to Avalon. This is a different type of adventure for a ‘veteran hiker’. Here the goal is to accomplish a greater appreciation for the landscape itself, to feel a historic precipice, to absorb the energy of a protected sacred place. If you ingest this feeling you may very well develop a type of ‘sixth sense’ that you can recall at need in the forests and mountains of other places, and perhaps discover something sacred on your own. Avalon is literally part of the essence of everything “Once upon a Time”, and what could be better to seek and find?
Location: Albany, New Hampshire/USA
Note: At the southern edge of The White Mountain National Forest of New Hampshire, sits the rocky, Pine-covered-peak of Mount Chocorua. The White Mountains are part of the grand Appalachian Trail, which runs 1500 miles south, all the way to Mount Springer in Georgia. About 50 miles directly north of Chocorua is the largest and most famous of the White Mountains, Mount Washington, standing at 6,289 ft. In the 50 miles between Chocorua and Washington are nearly a dozen seemingly animated peaks, all of which can be seen from a stellar vista at the top of Mount Chocorua, some 3,478 ft high.
Trail: Starting out, take Rt 16 to Moulton Drive in New Hampshire, which is a short length dirt road located behind an old antique store. Moulton Drive takes you to the Car Park for ‘Piper Trail’, the best approach at Chocorua Mountain. Start as early as you can, and bring plenty of water, New Hampshire in the Summer can be hot and humid. It is about 3.5 miles to the peak, so be ready for a solid seven mile hike, including a challenging rocky incline to get above the treeline.
At the beginning of Piper Trail you are enveloped by tall White-Pines, rusty colored Red Spruces, Ash, and Balsam trees. Further up the trail, bright Birch groves appear like miniature pillars protesting the hazy green shimmering of millions of leaves. After about a mile, you will cross the Chocorua River, and begin the slight elevation. This slight incline runs along a pristine forest ledge which carries a cool breeze through the shade. As you continue you will come across free-sitting-boulders beside the trail, which are mingled with the vast hedges running straight up the mountain. These glades continue northeast and west, rolling for 60 protected miles that contains Black Bears, Caribou, and White Tail Deer. Like so many of the trails in New England, rocky staircases which are cut out of the mountain will begin to appear. At the base of many of these carved stairs there are triangular stones often marking the trail. It is a phenomenon that is found all throughout New England.
Here are three 8 foot tall equilateral-triangle megaliths at Five Ponds Loop Trail in Baxter State Forest in Maine, in the shadow of Mount Katahdin. It’s as if the overgrowth on the stones knows its not supposed to grow on these flat cut surfaces. The front side of these stones are absolutely smooth, with a face cut like a knife through cake, while the back sides are arched and rounded. A profile view of the triangle stones is in the far left image. See how the hedge inundates the back, but the face is not touched? And these three stones are identical, lining the pathway like signs on a highway. The chances of this are gastronomical. If I had not hiked almost every trail in Massachusetts and seen the triangular phenomenon for myself, I would have a hard time believing it, but time and time again it shows up, and is becoming impossible to deny. This “cut-face” style is very much like certain types of Celtic standing stones in Glenveagh National Park in Ireland, and Watatic Mountain in Massachusetts, which have stones with smoothly cut faces, supported by large rounded rears. Here is a look at one of the diamond shape “cut-face” stones at Glenveagh, with a profile view, and the frontal view (white stone below). I believe these are anthropological stones, cultural statements, not random. The meaning of the triangle requires more
explanation, and will be explored in a separate post. Continuing on at Mount Chocorua, the small triangle will mark your first stone staircase. As you begin to climb, Chipmunks and Squirrels scatter in every direction, storing acorns under the warm stones.
Ascending this stair you will begin to come across ‘signature cross sections’, or ‘X’s’, that also appear mysteriously at trails throughout New England. Here is a cross section along the trail at Chocorua on the left, and a cross section at Mount Watatic on the right.
Further up “Piper Trail”, (as if this isn’t strange enough) is another ‘cross section’, but one-quarter portion of its total figure has been cut out, and moved several feet down the trail, like a giant puzzle piece. This is clearly a stylized craftsmanship, like fitted blocks.
The stairway has many “signature” type stones, indicating that someone is leaving a stylized mark on this pathway. After several stairways you will come to the large boulder-porches that begin to break the treeline.The mid-portion of this hike is a trek on boulder-porches and tight pathways. The view becomes beautiful, looking south into Massachusetts and the river-valley below. The ever rolling aspect of these mountains is more clearly revealed, with a slightly blue hue on the peaks that mingle with the sky in the peripheral distance. Turning your attention towards the peak, you will reach a ‘crossroad’ of choices in a glade just before the final ascent. There is a wooden sign that points to the pathway leading north, further into the forest, and an arrow pointing left, to the peak. As you follow the Peak Trail sign you will arrive at a stunning boulder-ledge that mingles with White Pines, running roughly 150 steep yards, straight to the peak. There is a singular massive boulder that is set in place in a distinctly different way from the others, with several incised lines around its sides sitting just before the final ledge. This may very well be a type of Dolmen. Continuing beyond this mysterious stone you will arrive at the top. Take your time here, and enjoy the cool crosswind along with a spectacular view. White Mountain National Forest is unveiled.The peak of Chocorua is a 360 degree porch, and it is also a dragonfly haven! There is a standard official mountain-marker at the highest point if you wish to touch it, as many hikers do to complete their hike. The clouds roll cumulus into the states beyond, and the sun is warm on the boulders of the peak at Mount Chocorua. Climbing this mountain is absolutely a significant accomplishment. I have found many Celtic mountains to be less challenging than this White Mountain gem. New Hampshire is a wonderful place, with a vast natural habitat well worth exploring. It is comparable to places like The Mourn Mountain Range in Ireland, and The Glenveagh Mountains in north Ireland. If you give the White Mountains a chance you could very well fall in love with the classic New Hampshire countryside. Find your way, and go strong.
Location: Llanberis/Mount Snowdon/Wales
Note: Before diving into the recreational richness of the trails in the heart of Wales, some things should be understood about the beauty of the culture in this realm. The Welsh people practice a renowned tradition of storytelling and singing that dates back to its mythical beginnings, to the very roots of the Celtic tradition. The regional landscape is pure inspiration. The earliest stories of this ancient region survive in what is known as the ‘Mabinogion’, a collection of epics and poems that is essentially a glimpse into the Celtic universe that existed in Pagan-era folk tales. The most popular stories include the quests of ‘Culhwch and Olwen’, considered to be the oldest of the ‘Arthurian’ related stories. Additional tales of King Arthur battling giants at the peak of Mount Snowdon, as well as hundreds of interwoven variations on the myths exist in the annuls of Welsh storytelling. In the pubs and halls of the country-folk here, these stories, and many others, are often sung, rather than simply spoken. These hallowed stories come right out of antiquity, and carry the Celtic-to-Christian Legend of King Arthur into Medieval times. The Welsh people, after defending the Celtic tradition in their heartland for generations, would eventually find themselves at odds with their closest relatives, the English. What a surprise. The Medieval Welsh peoples adamantly resisted the English incursion, which appeared most forcefully under King Edward the 1st, during the 13th Century. What are known as the Edwardian Era Garrison Castles were constructed to occupy Wales with an authoritative military presence. These castles are imposing works of scale and engineering for their time, and remain standing to this day, dotting the Welsh boarder. And yet Wales survived the incursion and remained its own proud nation. Modern Wales became a rustic industrial place, with a hard working mining community which delved for valuable resources of coal and various stones, very much like West Virginians of coal mining country in North America. These are wonderful and hard working people that have remained connected to their landscape and traditions, which brings us to the brilliance of the Welsh countryside and trails.
If the Celtic world were to declare a ‘Holy Land’, Snowdonia National Park would certainly be it. The crown jewel of this region, which is better known simply as Snowdonia, is the majestic Mount Snowdon, the highest peak south of the Scottish Highlands at 3,560 feet. Alternate peaks such as Ben Nevis, Crib Goch, and Tryfan, make up what is known as the Snowdon Range. The village of Betws Y Coed, which is about 12 miles to the east of Mount Snowdon, is a popular jumping-off point for hikers at the convergence of two rocky river ways, with several scenic trails to choose from. On the south-eastern edge of the Ben Nevis and Snowdon lowlands, about 10 miles from Mount Snowdon’s peak, is the scenic long-trail known as Pen Y Pass (image below), which begins from a designated car park off the A4086 road, and has a fantastic roadside view of rivers cutting the valley and massive cliffs before arriving at the trail head. The Pen Y Pass trail itself winds beautifully through several high passes and waterfalls running all the way up to Snowdon’s Peak. (Betws Y Coed and Pen Y Pass are both posted on Stonestrider.com if you want to take a closer look). About 4 miles north of Snowden’s peak is the most popular and direct trail for making the climb, which begins out of the gorgeous Medieval town of Llanberis.
Llanberis: Nestled in the surreal heights of Llanberis, between Caernarfon Pass and Snowdonia, is Dolbadarn Castle, a 13th century circular fortification overlooking the valley, and Lyn Peris lake. The history associated with this particular castle is more ‘Game of Thrones’, than ‘Game of Thrones’. History records the acts of a regional prince who locked his older brother in this tower for over thirty years in order to keep him from inheriting his rightful title and power over the region. The younger brother was successful in his suppression of his older brother’s rightful claim over the land, and he never escaped the Castle grounds. I guess if you’re going to be imprisoned somewhere for 30 years, this would be the best spot. It’s breathtaking, especially in the July sunlight. Incredible. The preserved woods to the immediate west of the Doldabarn have fantastic trails running into some absolutely beautiful glades. In glens like these it is clear the that trees are not at odds with each other in any way. At the edge of these woods are old-growth trees with classically haunting curvatures and limbs. It was impossible for me not to stand and look back at Dolbadarn Castle from the edge of this small forest, imagining knights and archers coming and going, guarding the imprisoned prince at the orders of his diabolical brother so long ago. I would like to make a personal note at this point. At times, when I find myself in a place like this, with several eras converging in one surreal landscape, a real feeling of wonder can take over. At these times I enjoy stomping on the roots of the old-growth trees with my boots as a type of celebration, sort of like pinching myself to make sure I’m actually there. At the highest point in these woods is a standing stone, and several free sitting boulders that are reminiscent of several megaliths in Lynn Woods Reserve in Massachusetts. What could be a better starting point for the approach to the peak of Snowdon? From llanberis you can take a main trail that follows the route of a small passenger train that carries people who do not wish to walk the four miles to the peak. Along this simple trail are waterfalls and grand views of westerly peaks of the Llanberis mountainsides. Alternate trails emerge into forests glades to the east, with the direct southerly route to the peak inclining continually before you. Around the 2 mile mark up this trail the views become epic. After 3 miles, the rocky element of the higher elevation trail emerges, and the wind becomes a constant. Be prepared on this hike with under-armor to keep you warm, boots with a steel tip if possible, and a windbreaker, the weather in Wales can change quickly. There are several vistas and places to rest along the way. The wide-open feel of the valley below is inspiring. Celtic landscapes often have less trees than other parts of the world, and the effect is breathtaking. You simply feel that you can see everything. On the particular day of my excursion I was not fortunate enough to get a clear view from the peak. Just like Mount Sinai was said to be enveloped with a smoky firmament, Mount Snowdon at its peak was no less dramatic, being covered completely in a massive halo of cloud and mist. The trail heights are filled with striking cambrian rock ledges of black and green, against a grey universe of cloud cover. The actual peak of Snowdon feels like the crosswind-capitol of the entire Celtic world, knocking you off balance and pushing you down if you;re not careful. I highly recommend a strategic crawl on the top ledge if you wish to finally touch the emblem reading 3560 feet at the peak. Make your way down the uppermost ledge in the same way, or a strong gust could easily send you off the mountain, entirely. These are the types of moments that hikers live for, getting to places where the elements make you realize just how precious your life really is.
The trails at Mount Snowdon evoke our dreamiest visions of knights on quests, giants strolling the landscape, and King Arthur climbing climbing to the peak, perhaps to see the entirety of the Kingdom he so endeared. At the peak there is a small historic center with records of the myths about the mountain and various events that took place here. There is a whimsical image encased in the “myth” section of the center which I photographed, of a giant that is said to have once dominated this landscape, until King Arthur himself challenged him, and brought him down. This is very much like David and Goliath in the Bible, and most likely during the same era. I can’t help but feel that there is something more to these stories than just myth, as I continue to explore and find engineered megaliths in the deep forests of the world. Of course, for this moment, Mount Snowdon itself is the event here. The Celtic landscape is a vision of green, continually rolling into the ocean, and dominating every hill and mountain. Ireland is to the West, England to the South, and Scotland beyond, to the north. This is the literal heart of the Celtic world, in every possibly way. If you find your way there, the sacred part will find you. Best of luck as you go.
Note: The Heath Altar is one of the best kept Celtic secrets I’ve seen to date, and it’s in Western Massachusetts, of all places. Unfortunately it is on a private residential farmstead that is not in any way welcoming, which is disappointing because every megalithic site in Ireland is on a private farmstead, but Irish farmers almost never restrict hikers intent on finding sacred sites located in their fields. Sadly, the signs on the road approaching the Heath Altar vista read: “Trespassers will be arrested, or shot.” Flatly, this is an unfortunate indicator about American attitudes these days. I was extremely frustrated to finally arrive at this beautiful area in Heath, only to find ‘KEEP OUT’ signs, but I did not allow this to stop me from getting to the Altar. It is extremely rare that I would write about, or encourage hiking in a place that you could get arrested or harmed, but it is important to me that people see this incredible Altar from it’s intended intimacy. It was worth risk for the images achieved. I humbly believe that these are the best pictures ever released of this gorgeous sacred site. This particular area of central/northern Massachusetts, on the boarder of Vermont, is one of the fairest countrysides one could hope to discover, especially in the season of peak Autumn, which is when I went. Now people have a chance to see, up close, for most likely the first time, a full Celtic altar, but in New England. The Town of Heath: The rustic countryside on the boarder of Vermont and central Massachusetts, on the northeastern coast of the U.S, is as picturesque as any Celtic scene. Small mountains, rocky hills, Pines, Birches, and Hemlocks, all dot the landscape. The four classic seasons flux distinctly in this part of the world, with a most captivating Autumn. The Green Mountains of Vermont are 15 miles northwest of Heath, along with state preserved trails at Mount Watatic, Monument Mountain, Savoy Falls, and Bears Den, all within an hour of here (and featured on this site). These woods have inspired tales and fables from the ancient tribes like the Mohegan and Wampanog, who inhabited this region while the Celts and Picti inhabited Ireland, England, and Scotland. One of the most amazing commonalities between New England and Celtic places are the hilltop alters such as the haunting Heath Altar Stones. Along the streams approaching the area in Heath are Celtic looking irrigation walls that provide ‘pivots’ in the landscape for the stream to flow by. This 12 foot high, and beautifully leveled, work of irrigation is only 4 miles from the Heath Altar, adding to the mystique of the overall area.The dry rocky plateau on which this Altar sits radiates hallowed vibrations. These are among the oldest cultural structures on earth. There is a loose symmetry to the scene, with a bed of flat granite at the highest point of the broad hill, guarded at each of it’s four corners by deeply incised, and notched, standing stones. The standing stones here are not flimsy, as depicted in most old articles. These are broad and intimidating megaliths, which can be seen here against the scale of a lovely human being amidst the fixtures. This is the photographic justice this site demands, capturing the grandeur of the overall area as well, not obscure images from old newspaper articles or desperately zoomed photos from 100 yards away from fearful on-lookers. Everything about this place says “Celtic Altar”, not “colonial farmer’s pet project”, which is what many writers have guessed is the meaning of these stones. Irish farmers did not claim the Irish altars. They would think it disrespectful and inviting a curse to even imply such a thing. Yet in the United States, the idea of colonials having possibly built these megaliths is often mentioned. It is infuriating, and totally irresponsible. Nothing about this area says ‘colonial’. The standing stones are each about 6 feet in height, and a single foot in width. Just beyond the Altar is a fifth standing stone that serves as a kind of head-stone. The ‘stone table’ may have served to support a bonfire, or perhaps it was more of a literal ‘large table’, used for sacrificial rites, or skinning hunted game. Whatever happened at this spot, the builders of this place made it distinct, so it is clear that this was considered a sacred place.Radiating out away from the Altar are smaller standing stones.
Smaller Standing Stones near by: Here is look at a smaller white marble, 3 feet tall standing stone, almost 50 yards from the top of the hill. Stones like this may have served as a boundary, or warning stone, for others approaching the Alter. It is obvious that this particular stone was also chosen for its beauty. In another area away from the Altar site, possibly fixed to the northerly cardinal direction, sits another standing stone deeply set into the ground, and somewhat tilted. This one looks to have been about 8 feet long, although only about 3 feet is above ground, with a darker colored rock face pointing to Vermont just beyond.Facing to the south is another amazing standing stone that has a 45 degree angular cut at the ‘arrowhead top’, standing roughly three feet high, and six inches thick. This particular type of stone can be found in other parts of New England as well, supporting the idea that it is a singular megalithic culture that occupied this natural space. Pictured on the right is a massive 45 degree angle New England standing stone with the same dimensions as the Heath standing stone below. The area the Heath stone is directing our attention towards is fantastic. The trees here are stunning at this time of year. Notice also that even the flat granite stones along the ground seem to have been leveled and cut on their sides. The amount of cultural stonework happening here gives the area a type of energy, perhaps like at the Hill of Tara in Ireland, or at the Avebury stone circle. The feeling is just overwhelming that someone, a very long time ago, loved this place enough to mark it out in amazingly playful ways with massive stones.Quartz stones and classic Celtic stone-linings: The energy-storing and transferring properties of quartz are well known. On this rocky plateau sits one of the most abundant quartz rock faces in all New England. The surreal vision it creates against the dry red brush is striking, looking almost like snow. Quartz boulders are scattered throughout the area. It would make sense that if this place was designed as a kind of ‘energy center’,with the quartz absorbing energy from the Sun. This piece below looks to weigh at least half a ton, set proudly above a cut granite slab. It’s as if megalithic anthropological sites are revealing a knowledge of the properties of stones. If this is true, then this entire area is a type of energy center. Further to the north are classic Celtic linings running through the area. These can be found in Cavan Burren National Park in a very similar style, connecting peaks from hill top to hill top. There are enough of these linings in New England to circle the earth six times, with probably just as many in Ireland and England. New England, somehow, is absolutely Celtic: There are beautiful subtleties to understand about this place. The elevation of the rocky hill; the distance to the tree’s below to the altar in the high clearing; and the fauna of the tall reeds mingling with the stones looking exactly like hilltops in the heart of Ireland. Take a look at the overall similarity between this hill in Heath, and the hill top above Kinnitty Forest in Ireland, where stone-linings and irrigation walls exist in the landscape as well. It’s as if the landscapes are paternal twins, with similar scaling in the features, with only different colors to distinguish them. The elevations and patterns of sacred Neolithic places are similar because it was a similar culture that was choosing them, valuing the exact same things.Here is the hilltop at Heath.Here is the hilltop at Kinnitty
Summary: Look at all these features at Heath. It’s overwhelming, and obviously a cultural center. Once upon a time these advantageous vistas were chosen by a Celtic culture, both in Ireland and New England. They were absolutely of the same mind, as to what areas were worth inhabiting. The similarity of these chosen areas, the elevations and circumference of the rocky clearings, the distance to running streams, the types of stone being utilized, the megaliths themselves, all reveal compelling evidence towards a related culture, both in the American northeast and the ancient Irish hills. The Heath Altar Stones are a direct anthropological connection to the Celtic world, and yet this information is considered ‘alternative‘. It’s absurd when seen first hand, what the academics are ignoring. There is an energy and beauty in central Massachusetts that is on-par with any of the preserved pastoral natural spaces of the Celtic world. All it takes is an exploratory hike in the forests and rocky hills of Heath, and you will see and feel it for yourself. And that is the more important point, to see it, and feel it for yourself. Don’t let anyone tell you what something is before analyzing it for yourself, or it won’t be long before not one of your ideas will actually be your own. When you find a sacred place, it reveals the sacred potential in you. Go for it.
Note: During the winter of 2014 in New England, 107.6 inches of snow fell around Boston. An Arctic weather system blasted the entire east coast of the United States for six months straight. Temperatures dropped to an average of 30 degrees, and many times as low as -14. Massachusetts declared a state of emergency. Public transportation and public schools were closed. Piles of snow reached 15 feet high on every street corner, and the snow was level with the windows. It was grey and dark everyday. It was a full Arctic winter. Take a look at my home in this picture. Finding things to do inside became a real challenge. Reading is healthy but can get boring after a few hours each evening. Going on-line is fun, but it can give you a headache after extended periods as well. As the winter reached it’s peak in late January, I was going snow-blind, and stir crazy. I had become so accustomed to seeing bright-white literally everywhere, that my depth perception was completely blurry. I realized I needed to find something fun to do inside, something that involved bright colors, as crazy as that sounds. I went to Best Buy to find something playful to do. At the entrance, as if literally waiting for me, was a large poster of what I felt, at that particularly color-starved moment, was the most beautiful landscape I had ever seen. I was completely blown away. I asked the attendant about the poster. He told me that the landscape was from an Xbox ‘quest game’ called Skyrim. He told me the game was a ‘universe of landscapes’ to explore. I spent $550 as if it was 50 cents, and walked out of the store in less than three minutes with a new Xbox, and a single game, Skyrim.
The Birth of Stonestrider: I went home and played the game. It was a Celtic fantasy ‘quest game’, with an epic interactive landscape. At this point in my life I had yet to even think of going to Celtic places, but as I played the game I began to wonder what it would be like. I am a college educated person. I have a Degree in Western Literature. I had read the essential Celtic myths, inclusive of Beowulf, Mallory’s Le Morte d’Artur, Gawain and The Green Knight, and Tolkien’s masterpiece novel The Lord of The Rings, and yet for some reason I had never galvanized my thoughts about the myths of Celtic places, and how much of it might be true. The range of subject matter in Skyrim is awe inspiring. It was obvious to me that the writers of this game did an incredible amount of research regarding Celtic myths. But the Skyrim writers went one step further and made cultural connections about mythical subjects that historians and anthropologists were embarrassed to talk about. For instance, standing stones and free-sitting boulders in Skyrim were not placed at random, presumably from glacial displacement, but were found in places specifically designated by a culture. Those designated spaces were inhabited by giants. Where did Skyrim get that idea from? Certainly not from academic history, although religious history texts have an abundance of content about giants. In Skyrim there are Dolmens, Standing Stones, Cairns, Free-Sitting Boulders, and Stone-Circles, all inhabited by giants, most of which also contain astrological significance. Suddenly Astrology, History, and Anthropology were ignited in my thoughts. It seemed to me that the designers of this game were signaling something to us, saying “wake up people, something amazing happened in the world once”. They had made a seamlessly logical scenario out of the Celtic universe, the ancient and half-forgotten world that we have only guessed at in this late phase of history. I began to wonder if these themes were really out there, in the actual world. If the Megaliths were cultural, then nobody could’ve moved them. I would just have to find them if I could. And that was my epiphany. I decided that when the snow melted, and the Spring finally came, I would go on my own real-time quest to find the Megalithic culture. Stonestrider.com would be born. My life has never been the same. I would like to use this post to just express some of the similarities between the game, and what I found in real time.
Waterfalls: Take a look at this waterfall I came across in the town of Mullaghduff, in Donegal, Ireland. It was totally untouched. No trails, signs, or markers of any kind. As far as I could tell, this Celtic waterfall was in its original state. More fantastic for me were the stones around the main Fall, which seemed curved, and cut, specifically into place, with smoothed arches and right angles actually hanging over the water. I couldn’t see how this configuration of stones would occur naturally. Look also to the left of the main Fall, there is a completely separate stone-cut path with beautifully crafted steps funneling the water. The level elevated bedrock of the main flow of water, combined with the crafted stones which are clearly curved and fitted above it, along with the separate funnel on the left, makes this seem like an engineered area, not a glacial miracle. That’s what I believe this is, an engineered waterway. There are also free-standing boulders that look more like markers heading progressively up the mountain directly beyond this waterway, which makes the area a prime candidate for an ancient Celtic, megalithically cultural center, just like what Skyrim depicts in the game.
What’s even more interesting, is that this very real waterfall in Mullaghduff has more mysterious components to it than this very fictional waterfall in Skyrim. The main similarity between the two waterfalls is that they both focus on the idea that the water is centered and flowing through a specific, and elevated, rocky precipice, while otherwise surrounded by gorgeous grassy brush and hilly topography beyond. It’s as if both scenes are trying to tell us that something special happens at the rocky points of water-flow.Mountain Streams: Here is a look at a mountain stream headed towards a Celtic alter in the heights of the Black Valley in the southern portion of Killarney National Park, Ireland. Take a look at the stones on the outer edge of the run of the water. The stones are not rounded, but they’re cut distinctly, seemingly directing the water in a funnel towards the center. The most obvious example is the largest stone in the center of this image; it is clearly cut, and with the directional purpose of funneling the water inward. I would also like to point out, that if you were to follow this stream up the mountain, you will come to a massive cut alter, with Celtic rings etched in its side.
In Skyrim there are waterways that appear in the elevations, and they follow the flow of specifically dotted stone paths. I really feel that the game’s engineers noticed the stony designation of Celtic waterways. Whether or not they knew that the real life waterways were in many instances engineered, is for us to decide.
Celtic Rings in Stone: Here is a look at the alter to be found at the top of the mountain stream in the Black Valley in Killarney. The rings cut into it are smooth and perfectly concentric, and hardly look like the work of a chisel at all. The rings are thousands of years old and hard to see now, shown just below center of the right slab, if you look close. It is clear that this slab was carved into linear sections, and ‘squared’. Even more incredible is that its location is near the top of a mountain. None of the other stones near by look even remotely like this. One last thing to take note of in this scene is that these slabs seem to be facing directly towards the central feature of the valley beyond, which is the beautiful lake Brinn, splitting the two mountains. There is just so much to consider when looking at Celtic ruins. It seems to me that they are far more than primitive markings. There is meaning in the direction in which stones face, what they depict, and where they are found. All of this is far from primitive, it’s actually elegant.Now here is a view of a squared stone slab with semi-concentric rings on its face in Skyrim. Yet again, the more amazing and mysterious stone, is actually the real one.Free Sitting Boulders: I am sure that there are boulders that have been moved by glaciers. But I am equally sure that there are boulders that have not been moved by glaciers. Free-sitting-boulders can most often be found guarding areas where sacred Dolmens or Wedge Tombs are directly near by. Here is an example of a free-sitting-boulder that I came across placed 30 yards from the incredible Wedge Tomb at Cavan Burren National Park in Ireland (Image on Right, click on it to look closer/Additionally, at this Wedge Tomb, are three stone-linings all converging directly on it/the linings are energy transfers, not walls). I am absolutely certain that this boulder was placed here as a marker to display the area as ‘occupied’. I imagine that this was a fair warning, a way of saying, “if you cross this massive marker, you will have to deal with the individual who is strong enough to put this here”. Notice how the boulder is placed exactly over another granite face below it. Scientists want us to believe that this boulder came to rest exactly on top of this other rock face beneath it, moved at random by glacial displacement? The odds are beyond gastronomical. I’m sorry, but no. This is a megalithic cultural statement, a boundary, near a Wedge Tomb.Here is the equivalent in Skyrim. This free sitting boulder is directly on the edge of a Cairn inhabited by giants in the game. It becomes increasingly clear that the Skyrim writers know something the general population has yet to imagine possible, or has perhaps forgotten.Standing Stones: The simple wonder of standing stones can move you. Here is an 8 foot standing stone in the heights of the Conwy Valley, Wales. Again, this stone weighs at least two tons. Moving this, and to such an elevation from the valley below, would seem crazy by human standards. I believe this standing stone is another type of marker, placed by the individual(s) who wanted to live away from the common collectives of people down below, and it served as a warning to them. More compelling is the fact that this stone is 100 yards from beautiful Dolmen just down the Roman pathway. Here is an image of a nice standing stone in Skyrim with what looks like similar dynamics.
Stacked and level megaliths: The most obvious and famous example of stacked and level megaliths is Stonehenge. The mystery of Stonehenge is one of the most important and fascinating in the world. There is so much that goes into creating sections like these, including grand notches that are cut and fit to be fixed into place like Jurassic Legos. To do this with sarsen stone, the hardest stone in the world, is almost inconceivable for a primitive culture at the start of history. Here is a look at just one section of Stonehenge.And here is a look at one section of an entrance to a cairn in Skyrim. Same proportions. Same idea. Amazing Natural Beauty: It is so important not to forget the natural beauty surrounding the mystery of Celtic culture. Mountains and valleys are simple and worthy reasons for celebration. I just want to mix and match some actual scenes that I was lucky enough to come across, with scenes from Skyrim below. The fantastic images in Skyrim should inspire you to try to climb mountains and explore valleys, however distant from you. You can do it! Something tremendous is revealed when you get out and take a close look at wild natural spaces. There is a hidden megalithic culture beneath us, and in some preserved places, totally visible. The Skyrim engineers have somehow put together a vision in their game that taps into the myths in a way that is almost signaling us, warning us, that there is more going on in this world than we are being told by commercial banks, governments, and people. I would like to thank the makers of Skyrim for inspiring me to think and wonder for myself just how much of what they are proposing might be true… ..which is far more than I would’ve known, had I not gone in search after the miserable winter of 2014. I will end this post with this statement: Biblical scriptures and the Dead Sea Scrolls speak of giants in the land, before, and after Noah. There are entire narratives dedicated to this premise about giants. “Seek and Find the Sacred” is not just a nifty cliche, its your personal invitation to understand the most mysterious and amazing things first hand, not relying on some other persons opinion, but developing your own. The megaliths are there, in dynamic positions, with symbols and angles, waiting to be understood. All of this takes place in a naturally beautiful, and often romantically distant places, far from the manic urban centers. You have nothing to lose by letting go, and going for it. I hope to see you out there. And however far out “out there” might be, the better.