Note: Among the initial benefits of hiking… the quiet… the calm… the fluttering of the leaves above, the splashing of streams below, are more miraculous treasures waiting to be discovered. Bear’s Den is one of the most astonishing example’s of this possibility in New England, and even the world. Located just off a quiet road of a small unassuming nature preserve in New Salem Massachusetts, Bear’s Den sits ready to reveal some of the most incredible things a forest can offer on either side of the Atlantic. To begin, tucked into a small gully just beneath the initial trail is an exquisite example of an ancient stone-dwelling. This structure has distinct dry-laid outer walls up to 7 feet high, with unique stones that are each deliberately placed and crafted in an amazing way. There is an entrance way leading to a single passage that opens on the interior to a leveled-off, stone-supported, bed space. When entering the chamber you feel like you’re in someone else’s home, like a Neolithic apartment for one. There is 4 ton ‘squared’ granite piece sitting high-up on the exterior side wall, across from the bed space that looks very much like a stylistic statement made by the builder. Through sheer size, this megalithic stone says: “Look where I can put this gigantic stone!” This certainly doesn’t look like Colonial work of timely practicality, which usually involves simple cobble and brick, and avoids megalithic size stones. Native Americans were not interested in moving megalithic stones either, or building stone dwellings in north-east America. In terms of historical context, it seems that this structure somehow would’ve been here before the natives arrived, and is not the first instance of ‘megalithic culture’ at the birth of antiquity. This coincides with the claims of native Peruvians, for example. who blatantly claimed that the megalithic structures, built high in the mountains, were there well-before their ancestors arrived. The combination of difficulty, along with the additional craftsmanship of this stone, gets our undivided attention, which is probably the point! To set in place, and perfectly level, a 4 ton granite block that sits 6 feet above the supporting smaller stones, is outstandingly bold to say the least, and incredibly difficult. It’s as if the builder wanted more of a challenge. People in New England that call structures like this a “colonial root cellar” are mentality and logically lacking. It’s the equivalent of calling Stonehenge “just a bunch of big rocks”, when we know it’s obviously so much more. And the intrigue at Bear’s Den just intensifies from here. From the stone-dwelling, follow the trail to the top of the knoll to the north. Free-sitting boulders at the top of the knoll are crafted, creating an entrance way and designated view of the waterfall on the other side. Two specifically elevated and leveled stone porches sit facing the waterfall at an intended height from about 25 yards away. What you are about to see is exquisite. The first glance of this picturesque waterfall from this elevated stone-porch reveals multiple features. The stream is split beautifully by a massive stone facade. The water that flows to the right of the main facade funnels through a specifically cut ‘spout’ down into an incredibly crafted leveled pool. This is where the scene begins to become surreal, mathematical, and incredible. Before continuing, take a look at the close-up image of the right side of the ‘funneled waterfall’ (2nd image below) and see if you notice anything unique about it. It’s impossible to miss…
The Emblem Stone: Along the inner line of the perfectly leveled pool receiving the water from the funnel, is a beautiful granite-cut emblem of an equilateral triangle, each side being about two feet long, but looking smaller from a distance. Equilateral triangles DO NOT OCCUR IN NATURE, so we immediately must begin to wonder, who could have done this, and why? If you look closer, there is also a line inside the triangle clearly connecting the midpoints of two sides. A line that connects the midpoints of two sides creates an angle of 60 degrees. It appears that this emblem is depicting a specific geometric relationship. (Shown on the right) All of a sudden, the waterfall too, is an anthropological site.
Simple Geometry: (Please look to the diagrams 1-5 above to see the proofing of these ratio’s and parallels): At this time a few simple geometric explanations are required which only take a moment. Due to the midpoints being connected within the triangle, the vertices of the smaller triangle become equal to the vertices of the larger outer triangle, at exactly 60 degrees. Further still, since the vertices of both triangles become equal, the sides of both the larger and smaller triangle therefor become parallel. When these relationships are proven, the smaller triangle is revealed to be exactly 1/4 ratio of the entire figure. This is absolutely astonishing. Logically we must accept a few things at this time. First, it should be understood that whoever etched this emblem did so in granite, and for a reason. We have to conclude that the designer absolutely intended for us to notice it. In fact, the only guarantee that it would be noticed, is to etch it in granite. Second, the specific geometry of the emblem is a message, a coded stone, informing us that the designer was obviously well aware of Sacred Geometry. Third, if someone from antiquity is leaving us a coded emblem with specific geometric relationships, it demands our utmost attention, and we should be adamant to observe any other relationships taking place, relevant to this emblem.
The Funneled Waterfall Parallel: It is logical to follow the lines of the parallels that have been established by this emblem to see if there is any further connections on the waterfall overall. If we continue the line of the left side of this coded emblem, we see that it connects DIRECTLY to another crafted feature. Continuing along this exact line is a crafted stone funnel where the water is harnessed specifically to a single focal point. This exact line is becoming a longer parallel. You can see the distinct whiteness of the water blasting out of the funnel. At this point something astonishing is beginning to emerge. The possibility that the ’emblem stone’ is a coded statement for relationships relevant to the entire waterfall is becoming possible. If this parallel line extends to a specific point on the larger structure, is it possible that this line will have a matching larger parallel on the other side of the waterfall, just like the lines of the emblem? Is it possible that another larger triangle can be established relative to this right-side portion of the scene? Let’s continue to try and find features that fit the ratios and angles. If we continue to implement the information the emblem conveys, from this top funnel point we can implement a 60 degree angle, and draw a line downward at this specific angle. We will then continue to draw that line down to a point where we can implement another 60 degree line at the base. If we do this, another perfect triangle emerges, depicting an outline of the ‘funneled-side-waterfall’ on the right-lower side, exactly as depicted in the right-lower side of the emblem stone. From here, if we want to see if there is a ratio-appropriate parallel to the ‘funnel-waterfall-triangle’ on the 3/4 side of the scene, we need to step back to where we can see the entire picture again.
The Top Central Boulder: Returning to the leveled stone porch, we must look for a central point where a larger parallel line can converge, in accordance with the pattern on the emblem. Remember that the emblem depicts a specific 1/4th ratio for the smaller triangle within, therefor, a higher point in the 3/4ths section on the right should specifically exist. Let’s continue to look for this intentional designation. If we examine the upper-left portion of the overall waterfall, we DO see something specific. Looking down from the center of the elevated porch, directly below is a set of distinct stones that serves as a central bridge that connects the land across the stream with the granite facade. If we follow this line we can see that it directs our eyes straight ahead to the exact high-point on the massive frontal/main granite piece, where there is a distinct crease cut into the rock (double click o image to the right to look closer). Directly above and behind that crease is a free-standing boulder, placed centrally (circled at the top. in yellow). It is certainly important to check these points of significance to ensure that they are not arbitrary. It appears that the aligned stoned bridge is directing us towards this specific boulder. If you cross this bridge, which is completely linear, and climb up to the cut crease, then make your way to the centrally placed boulder behind the facade, and turn around, there is something spectacular we are intended to see.
The Aligned Rear Altar: Here we see what looks to be a type of “water-altar” embedded behind the uppermost granite facade where the crease is. The cut line of this uppermost crease is even more distinct from the back side, revealing an exact cut that extends as an incision deep into the granite at a 45 degree angle. Looking back now from the center of the boulder, through the crease, back to the elevated porch, is a perfectly straight line, as well as a perfectly leveled line (Image marked below, left). The alignment, symmetry, AND elevation, are all absolutely exact. This rear section is obviously another type of ‘alter’ intended to be found by use of the information given to us by the emblem. Along the line of the ‘high point crease’ is a circularly cut whirlpool, with a back drop of smaller stones with little incisions that follow the 45 degree lining of the top most crease. These are blatantly angled cuts in solid granite. This is also the exact spot where the water divides into two sections, cascading down to the left and to the right onto the frontal facade (Image to the right). As the high point of division for the stream, it is further justification as an identified high point to the main frontal facade. All of this information serves to reveal the free standing boulder behind the uppermost crease as a central high point, intended for us to discover by the efforts of the designer of this waterfall. With this important piece of information, we can go back to the elevated porch on the frontal side of the waterfall, and utilize the ‘top boulder’ as our fixed point for the parallel line we are hoping to find, which will logically coincide as a parallel with the ‘funnel-waterfall-triangle’ line on the more minor lower left side of the overall facade, just at the top corner and the mid-line corner coincide on the emblem.
The overall waterfall and the emblem are the same: If we extend the ‘funnel-waterfall-triangle’ lines, at the angle of 60 degrees indicated to us by the information within the ’emblem stone’, this line will run straight to the peak of the ‘top boulder’. It all comes together from here. The outer line connecting the ‘funnel-waterfall-triangle’ to the specific point of the ‘top central boulder’ is enough information to allow us to complete the picture. If we again use the 60 degree angle implied by the emblem stone, we can now draw the parallel line we were searching for, that coincides with the ’emblem-to-funnel’ line. We draw the line as a parallel from the ‘top boulder’ down, and the picture begins to emerge in full. The parallel lines are in specific ratio as well, so it becomes impossible to miss. If we match the 60 degree corner of the established ‘outer right-side line’ on the right-side extremity of the waterfall, we can define a 60 degree corner on the left-side extremity and run a base line from one end of the fall to the other. Here we see that THE RATIOS OF THE ORIGINAL CODED EMBLEM EMERGE AGAIN IN THE OVERALL WATERFALL (displayed below). We now see, by definition, that the 1/4 ratio portion of the overall triangle is the ‘funneled waterfall triangle’ with the ‘leveled pool’ on the minor right corner. It’s a perfect fit. What we have discovered is that the ’emblem stone’ is nothing less than an embedded, ratio-specific ‘keystone’ that opens up the possibility of comprehending the entire picture.
Mystical Beauty: There are so many question that come from discoveries like this. Who would have the ability and knowledge in antiquity to create an engineered, ratio-specific, waterfall from cut granite? This just doesn’t coincide with the evolutionary depiction of history, where humans are depicted as primordially primitive. Perhaps the builder was not entirely human? It’s not just the magnitude of understanding, its the ability to carry it out that’s really moving. The emblem shows us the mind of the engineer of this waterfall; That beautiful ideas can have a core principle, and be carried out into complexity by the consistency of defined ratios and principles. To do this in antiquity is earth shattering. It seems likely that the engineer of this masterpiece lived in, and also designed, the elegantly simple and beautiful stone-dwelling just over the hill. It makes sense. The stream flows from the waterfall, around the hill, straight to the dwelling, and beyond.
It is a captivating scene. For a moment, picture a pristine Era at the beginning of Time, when the water was clean and drinkable. This area was carved-out as a place of pure joy and regeneration, perhaps in the very first Era. It is at least one of the oldest functioning engineered sanctuaries in the world. It’s haunting; where trails run along the river above the waterfall and below, through the forest and back to the stone-dwellingl for a 2.5 mile loop.
The Equilateral Triangle: The equilateral triangle is a feature that actually shows up in many New England forests in several different ways. In my personal explorations for content for Stonestrider.com, I’ve seen large granite cuts, subtle small granite pieces on mount Watatic, Massachusetts, with holes somehow drilled smoothly into the exact center. and massive granite slabs in deep woods with 60 degree quartz stripes across the face (bottom images). On my way out of Bear’s Den on my most recent visit this September, just down stream from the waterfall, I discovered another cut equilateral triangle, this time laying right beside the boulder it was cut from (green stones on the lower left). This is Neolithic meme in New England of incredible and profound significance. The culture that appreciated this specific geometric shape engineered it into their lives, in their work, and in their hearts. The ancient Israelite immortalized the equilateral triangle in their designs of the Ark of The Covenant and later in the Temple, as instructed by Ashem (Yahweh,God). A functional living monument dedicated to this shape conveys a message across the Ages, which is that the builders were connected intimately with this divine principle. If you explore the forest and mountains of New England, as well as the Celtic high country, it is only a matter time before you discover this for yourself. Hope to see you out there.
Note: If the quintessential Celtic ‘dreamscape’ is what you are hoping to find in a hiking experience, Cavan Burren National Park is the place for you. This pristine pre-history landscape is sacred on every possible level, with roughly ten square miles of Celtic wildlife preserve. Embedded in the surreal panoramic vistas surrounding Cuilcagh Mountain, on which the park is mainly canvased, are priceless 5000 year old Wedge Tombs, Alters, Dolmens, and megaliths. A fantastic trail runs from the main entrance/visitors-center of the park to beautiful anthropological sites. The area is absolutely worthy of several specified reviews for each of the sites along this main route, but the real wonder of the region, and perhaps it’s most establishing distinction as a truly Celtic reserve for both exquisitely rare natural fauna and neolithic cultural gems, is that the off trail hiking reveals supremely beautiful works of ancient stone engineering as well. I discovered this incredible alter, featured in the title image above, by interpreting the lay of the engineered stones expressed over the landscape. Postmodern anthropologists have taken a dismissively poor perspective on what they have lazily identified as “farmers walls” looping over the hillsides. These “farmers walls” are not “walls” at all; functionally they do not limit the movements of grazing flocks in any way. Herds can simply walk over these stones if they so choose, so by literal definition, it is not a wall. The function of these special stones that look to our modern eyes as “walling” is actually a type of primitive ‘cable system’ that connects each sacred alter, from one to the next. These stone linings are like the wire that runs between a battery’s charge points, to the base-tip of a light bulb, passing energy from one end-point of energy to the next. I found this alter by following the lined stones running north west off the main trail. My educated guess was therefore to follow the lined stones I observed to see what special feature it was connected to. I arrived at this incredible Celtic alter wonderfully positioned at the next hilltop, approximately 1.5 miles northwest of the main trails (Top Image). Here again was another moment where my firm belief in the premise of engineered landscapes was vindicated. The earliest Celtic cultures attempted to harness and designate the transfer of energy in the landscape with stones that absorb the energy from the sun and connect the alters sitting strategically at the top the hills. These lined stones funneled energy from peak to peak, alter to alter. Most modern anthropologists fall victim to assuming that a ‘defined sacred space’ requires a specific ‘central temple’ that celebrates the area in a basically singular declaration. What they refuse to consider is that an even higher expression of the sacredness of the landscape is of course to utilize it while celebrating it, making the entire area a type of living, functional temple which connects each elevated corner. This engineering is also present in the mountains and forests of New England. I encourage hikers to prepare appropriate gear for deeply experiencing the landscape, for trekking into wilder corners of the reserves. If you follow the stone-linings of ancient Celtic zones to areas away from the designated trail, you will soon find that the premise of engineered landscapes is absolutely real. Aside form this, the natural beauty of the area is stellar. To deeply experience any ancient landscape equip yourself with cinema-capable cameras and capture your trek. Cavan Burren National Park is a portal into the primordial era of the earths most fantastic expressions, with priceless anthropological expressions of engineering from the first culture on earth. Seek, and find it out for yourself.
Elevation: 3,165 ft.
Note:Mt.Monadnock has an autonomous majesty that is impossible to ignore. Very much like Mt.Errigal in Ireland, Monadnock stands alone, part of no particular chain. It’s singular cinematic contrast over the New Hampshire landscape is stellar, although it is a relatively small mountain by global standards. The ‘White Dot Trail’ from the Monadnock State Reserve Station on Dublin Road winds directly to the rocky peak. Anthropological stone work inundates the mountain side, featuring massive signature stone-walling and engineering that runs straight up the mountain, of which no farmer has laid claim. Here there are indicative New England pre-native era stone-works, where 100 to 400 pound stones are crafted, and then laid one atop the other at impossible elevations, where no cart or mule, or sane individual, would build a “wall”. The pattern fits with absolute consistency to every elevated trail site in New England; massive megalithic stone works that no colonial farmer claims, taking place at dizzying elevations. Native Americans would have witnessed these stone structures with equal amazement and wonder, and they take no credit for their building either. The trail requires some hands on work to get above the tree-line, where wildflowers and stone porches emerge to overlook all New England. At the peak there is an incredible stone, cut and pulled away from the mountain like a giant puzzle piece, pointing straight to the Sun at Noon. This megalithic scale is similar to works found at Monument Mountain in Great Barrington Massachusetts. It seems that this first culture on Earth took control of these majestic elevations all over the world. Connections can be found between Celtic. Mayan, Native American, and Israeli megalithic sites and trails if we choose to observe them. The next question becomes, what culture is capable of creating these megalithic wonders at the beginning of Time? Monadnock is a beautiful glimpse into this mystery.