Location: Millinocket Maine/USA
Trail: Hurd’s Pond Trail
Note: Baxter State Park is over 200,000 square acres of protected wilderness, rolling 18 miles northwest of the welcoming country-town of Millinocket, Maine. The crowning feature of this incredible old-growth preserve is Mount Katahdin, a 5,267 foot peak, and final mountain along the American northeast’s 1,500 mile Appalachian Trail. The Piscataquis and Penobscot Rivers cut through the southeasterly portion of the park, creating opportunities for riding rapids and hiking along waterfalls, all with Mount Katahdin looming stoically in the background. Dozens of trails are spread throughout the park. “Hunt Trail” is the official Appalachian pathway to the alpine peak of Katahdin. Other trails that run to the peak, such as “Knives Edge”, “Abol”, “Cathedral”, and several others, require a reservation with the park before arrival, which can be made easily on-line at: http://www.baxterstateparkauthority.com/reservation/ The trails here also offer a good deal of anthropological mystery, with megalithic stones in patterns and shapes that push the envelope of our imaginations. I hope people understand that this is a site about fully appreciating what is discovered on wildlife pathways, and it is not meant to be shocking or offensive in any way. The information and evidence in the forests of New England support a megalithic culture that had specific memes and themes cut into granite, all for the world to discover. These mysterious stones can be found on Hurd’s Pond Trail, and I hope people visit these woods and judge for themselves what is being described here. Trails which are not at an immediate proximity to Katahdin will NOT require a reservation, such as trails that run along the rivers, old-growth forests, lakes, rocky ledges, and icy caves, several miles to the south.
Hurd’s Pond Trail: “Hurd’s Pond Trail” will take you through some pretty cool natural features, and picturesque pathways, with several points along the way that give wonderful pause, and appreciation. The Abol-Bridge Campground site is the jumping-off point for this trail, which runs the east-to-west course of the main road of the Reserve, Golden Road. The Northeast Piscataquis River runs south from Abol Bridge, with a dirt road running along its edge, eventually veering southwest into the forest trail. You can choose to walk the 3.5 miles along this stretch of scenic river-road to arrive at the car park of “Hurd’s Pond Trail”, or you can simply drive to the car park, which will be on your right after the 3.5 miles.
Hurd’s Pond Trail is a relatively short hike on it’s own, of about 2.5 miles culminating at the “Ice Caves”, an enticing network of boulders and passages overlooking Debsconeag Lake to the south. Before you get there you pass a set of pathways that feature different types of ledges, hedges, glades, and anthropologically mysterious megaliths. The lower trail runs over thousands of roots, and passes around grand fixtures of boulders that look to have been placed specifically along this particular part of the forest. Take a look at this boulder pictured below; do you notice anything particular about it? To answer the question: there are half-a-dozen massive triangular boulders, cut with a flat face and rounded back, standing at about 10 feet in height, and perhaps 20 tons in weight, along the path to the Ice Caves. It’s astonishing. There is first one triangular boulder to the right, and then one triangular boulder to the left, and then another to the right again, all within the first half mile of the hike. It is hard for me to believe that seasoned hikers and naturalists simply pass by this without taking any note of it whatsoever? Personally, it is impossible for me not to stop and wonder what this might indicate. Take a look at the image below; how could you ignore this? These are teams of similarly crafted boulders, staring you right in the face. Not only are they similarly crafted, but they are facing the exact same direction, north, which is staring directly at Mount Katahdin. If it were not for the amount of clearly crafted triangular stones that I have time-and-time-again found in various forests of New England, I would have a hard time writing this portion of the blog. I completely understand that some people may be entirely skeptical of this, but at this point it is utterly obvious to me that the equilateral triangle was worshiped by a megalithic culture in the forests of New England. To support this, just take a look at some of the examples of granite-cut triangles discovered from places all over New England, found in hard to reach places like significant mountain elevations, waterfall facades, and deep woods ridges, miles from modernity in every direction. Please consider, that scientifically speaking, Equilateral Triangles DO NOT OCCUR IN NATURE. These shapes were obviously crafted. Something is going on with the Triangle in antiquity, and anthropologists are simply choosing to totally, and absolutely, ignore it.
There is more to add to the mysterious elements at Hurd’s Pond Trail. Once you pass the initial triangular megaliths, you will come to groupings of boulders deeper into the woods that have other compelling features. You will first drift through some heavy hedges and narrow lanes, and come out to a beautiful glade of 100 foot tall Pines. The boulders under these pines have specifically fitted cuts, within the rock faces themselves, which are angled and overlapped to create a triangular feature. In the image below, these two boulders are not sitting at random; the left boulder has a level right-face that is meshed in a perfectly flush fit to the cut-and-leveled left side of the boulder on the right. If you look closely it is absolutely clear. This ‘flush overlapping’ of the stone creates a specifically triangular space beneath. Take a look at some more examples from New England forests where I’ve found flush-fitted overlapping boulders that create triangular spaces. It’s not simply the triangular space beneath the rock, but it is the exact precision of the continued lines which create these angles that amazes me. How this is possible is hard to comprehend, and yet it is there.
As you continue into the last half mile of Hurd’s Pond Trail you will see granite boulders with rounded-out arches, and the fitted pieces that resulted, sitting within a few small feet of each expression. Look at this section that was cut from this huge boulder below; the piece that was cut is sitting just to the right, like a block waiting to be inserted. It should also be noted that the top of these particular boulders have been cut flat, like a square. This is obviously some type of expression; like some megalithic craftsman saying “Look what I can do!”
After passing a few hillsides with beautiful trees you will come to the sign that points to the Ice Caves, which do not have ice in late July. There is a railing and ladder that you can climb down into the caves, with its shafts of shadow, wind, and light. Above the Ice Cave boulders is a view of the beautiful Debsconeag Lake to the south. At this point you will have completed one of the better introductory trails to a worthy wildlife preserve in Baxter State Park. Work your way back steadily to the car park, and make sure you give yourself enough time to return before the Sun goes down.
Final Note: New England is home to one of the most mysterious megalithic cultures in the world, which is obviously supported here at Stonestrider.com. This culture is very similar to the Celtic megalithic culture, which of course also has its own beautiful massive stone statements from the earliest era in History. Supported by consistent evidence, the megaliths of New England obviously have their own specific memes; rather than Celtic “spirals”, New England offers us ‘triangles’ cut out of, and into, the stones. I hope people come to understand the anthropological significance of this statement, and that every culture in the world seems to support a megalithic era, with distinct evidence. Baxter State Park is one of these sacred places, with natural beauty in the landscape, epic grandeur in the mountains, and mysterious megalithic statements deep within the forests. It is everything that this website hopes to bring to the foray. Do not to take my word for it, but seek and find these sacred places for yourself.
Note: The Heath Altar is one of the best kept Celtic secrets I’ve seen to date, and it’s in Western Massachusetts, of all places. Unfortunately it is on a private residential farmstead that is not in any way welcoming, which is disappointing because every megalithic site in Ireland is on a private farmstead, but Irish farmers almost never restrict hikers intent on finding sacred sites located in their fields. Sadly, the signs on the road approaching the Heath Altar vista read: “Trespassers will be arrested, or shot.” Flatly, this is an unfortunate indicator about American attitudes these days. I was extremely frustrated to finally arrive at this beautiful area in Heath, only to find ‘KEEP OUT’ signs, but I did not allow this to stop me from getting to the Altar. It is extremely rare that I would write about, or encourage hiking in a place that you could get arrested or harmed, but it is important to me that people see this incredible Altar from it’s intended intimacy. It was worth risk for the images achieved. I humbly believe that these are the best pictures ever released of this gorgeous sacred site. This particular area of central/northern Massachusetts, on the boarder of Vermont, is one of the fairest countrysides one could hope to discover, especially in the season of peak Autumn, which is when I went. Now people have a chance to see, up close, for most likely the first time, a full Celtic altar, but in New England. The Town of Heath: The rustic countryside on the boarder of Vermont and central Massachusetts, on the northeastern coast of the U.S, is as picturesque as any Celtic scene. Small mountains, rocky hills, Pines, Birches, and Hemlocks, all dot the landscape. The four classic seasons flux distinctly in this part of the world, with a most captivating Autumn. The Green Mountains of Vermont are 15 miles northwest of Heath, along with state preserved trails at Mount Watatic, Monument Mountain, Savoy Falls, and Bears Den, all within an hour of here (and featured on this site). These woods have inspired tales and fables from the ancient tribes like the Mohegan and Wampanog, who inhabited this region while the Celts and Picti inhabited Ireland, England, and Scotland. One of the most amazing commonalities between New England and Celtic places are the hilltop alters such as the haunting Heath Altar Stones. Along the streams approaching the area in Heath are Celtic looking irrigation walls that provide ‘pivots’ in the landscape for the stream to flow by. This 12 foot high, and beautifully leveled, work of irrigation is only 4 miles from the Heath Altar, adding to the mystique of the overall area.The dry rocky plateau on which this Altar sits radiates hallowed vibrations. These are among the oldest cultural structures on earth. There is a loose symmetry to the scene, with a bed of flat granite at the highest point of the broad hill, guarded at each of it’s four corners by deeply incised, and notched, standing stones. The standing stones here are not flimsy, as depicted in most old articles. These are broad and intimidating megaliths, which can be seen here against the scale of a lovely human being amidst the fixtures. This is the photographic justice this site demands, capturing the grandeur of the overall area as well, not obscure images from old newspaper articles or desperately zoomed photos from 100 yards away from fearful on-lookers. Everything about this place says “Celtic Altar”, not “colonial farmer’s pet project”, which is what many writers have guessed is the meaning of these stones. Irish farmers did not claim the Irish altars. They would think it disrespectful and inviting a curse to even imply such a thing. Yet in the United States, the idea of colonials having possibly built these megaliths is often mentioned. It is infuriating, and totally irresponsible. Nothing about this area says ‘colonial’. The standing stones are each about 6 feet in height, and a single foot in width. Just beyond the Altar is a fifth standing stone that serves as a kind of head-stone. The ‘stone table’ may have served to support a bonfire, or perhaps it was more of a literal ‘large table’, used for sacrificial rites, or skinning hunted game. Whatever happened at this spot, the builders of this place made it distinct, so it is clear that this was considered a sacred place.Radiating out away from the Altar are smaller standing stones.
Smaller Standing Stones near by: Here is look at a smaller white marble, 3 feet tall standing stone, almost 50 yards from the top of the hill. Stones like this may have served as a boundary, or warning stone, for others approaching the Alter. It is obvious that this particular stone was also chosen for its beauty. In another area away from the Altar site, possibly fixed to the northerly cardinal direction, sits another standing stone deeply set into the ground, and somewhat tilted. This one looks to have been about 8 feet long, although only about 3 feet is above ground, with a darker colored rock face pointing to Vermont just beyond.Facing to the south is another amazing standing stone that has a 45 degree angular cut at the ‘arrowhead top’, standing roughly three feet high, and six inches thick. This particular type of stone can be found in other parts of New England as well, supporting the idea that it is a singular megalithic culture that occupied this natural space. Pictured on the right is a massive 45 degree angle New England standing stone with the same dimensions as the Heath standing stone below. The area the Heath stone is directing our attention towards is fantastic. The trees here are stunning at this time of year. Notice also that even the flat granite stones along the ground seem to have been leveled and cut on their sides. The amount of cultural stonework happening here gives the area a type of energy, perhaps like at the Hill of Tara in Ireland, or at the Avebury stone circle. The feeling is just overwhelming that someone, a very long time ago, loved this place enough to mark it out in amazingly playful ways with massive stones.Quartz stones and classic Celtic stone-linings: The energy-storing and transferring properties of quartz are well known. On this rocky plateau sits one of the most abundant quartz rock faces in all New England. The surreal vision it creates against the dry red brush is striking, looking almost like snow. Quartz boulders are scattered throughout the area. It would make sense that if this place was designed as a kind of ‘energy center’,with the quartz absorbing energy from the Sun. This piece below looks to weigh at least half a ton, set proudly above a cut granite slab. It’s as if megalithic anthropological sites are revealing a knowledge of the properties of stones. If this is true, then this entire area is a type of energy center. Further to the north are classic Celtic linings running through the area. These can be found in Cavan Burren National Park in a very similar style, connecting peaks from hill top to hill top. There are enough of these linings in New England to circle the earth six times, with probably just as many in Ireland and England. New England, somehow, is absolutely Celtic: There are beautiful subtleties to understand about this place. The elevation of the rocky hill; the distance to the tree’s below to the altar in the high clearing; and the fauna of the tall reeds mingling with the stones looking exactly like hilltops in the heart of Ireland. Take a look at the overall similarity between this hill in Heath, and the hill top above Kinnitty Forest in Ireland, where stone-linings and irrigation walls exist in the landscape as well. It’s as if the landscapes are paternal twins, with similar scaling in the features, with only different colors to distinguish them. The elevations and patterns of sacred Neolithic places are similar because it was a similar culture that was choosing them, valuing the exact same things.Here is the hilltop at Heath.Here is the hilltop at Kinnitty
Summary: Look at all these features at Heath. It’s overwhelming, and obviously a cultural center. Once upon a time these advantageous vistas were chosen by a Celtic culture, both in Ireland and New England. They were absolutely of the same mind, as to what areas were worth inhabiting. The similarity of these chosen areas, the elevations and circumference of the rocky clearings, the distance to running streams, the types of stone being utilized, the megaliths themselves, all reveal compelling evidence towards a related culture, both in the American northeast and the ancient Irish hills. The Heath Altar Stones are a direct anthropological connection to the Celtic world, and yet this information is considered ‘alternative‘. It’s absurd when seen first hand, what the academics are ignoring. There is an energy and beauty in central Massachusetts that is on-par with any of the preserved pastoral natural spaces of the Celtic world. All it takes is an exploratory hike in the forests and rocky hills of Heath, and you will see and feel it for yourself. And that is the more important point, to see it, and feel it for yourself. Don’t let anyone tell you what something is before analyzing it for yourself, or it won’t be long before not one of your ideas will actually be your own. When you find a sacred place, it reveals the sacred potential in you. Go for it.
Elevation: 1,642 ft
Note: Monument Mountain is a rare natural gem for Massachusetts. It is not connected to the rolling hills of eastern New England, but rather the beautiful Berkshire Mountain range, which runs through the southwest corner of Massachusetts, before continuing northwest into New York State. In early November the hillsides around Monument Mountain practically glow from the morning frost in the Sunrise, giving it a unique New England appeal… From top to bottom, massive shelves of white-quartzite line the mountainside, with jagged cliffs looming hundreds of feet above the trails, leading to what is known as ‘Squaw-Peak’. Alternative trails are known as “Indian Monument, and”Hickey Trail”, but are both essentially part of the same loop leading to Squaw Peak. As hard as it might be to believe, this is the Macchu Piccu of Massachusetts. The trails here lead through glades of old growth forest and quartzite glens. There are White Pines, Hemlocks, Maples, and Birches in the elevated areas, that change the feeling of the trail as you go. The forest is a barrage of overgrowth and ledges, with craggy shelves at every turn. Some fixtures were obviously toppled by a glacial game that was played over 10,500 years ago, while other stones do not seem random at all.
The Solar Stones: The initial trail runs through a glade of towering Pines for about a half mile. Soon you will encounter an incline in the path that will lead you into Birch groves, baby Pines, and stony footing. As the trail to Squaw Peak begins to elevate, there are stairs that are clearly cut out of the mountain, leading up to smooth rounded porches. On these porches are stones that have specific angular cuts that are pointing directly at the Sun at mid-day. These stones appear at other sites in New England too. The image below is a prime example of the Solar Stone type at Monument Mountain, approaching Squaw Peak. Before coming to Monument” I had found several stones that were cut exactly like this, shown below. I felt that if stones were cut specifically to be “pointing” at something significant, it would most likely be the Sun. So on this day at Monument Mountain I tested my theory. I climbed to reach Squaw Peak just before Noon, and using this method I came across this exact stone, which points directly at the Sun at Noon. These are the moments that hikers live for. Trail features become both an exploration into natural beauty, and anthropological. Standing there, as the Sun was directly above this stone, I felt as if I was momentarily peeking through a keyhole connected to a culture from the beginning of Time. The “Solar Stones” geometry is essentially: a single long-side leading up to a 45 degree angle, which is then cut, creating an arrow head, or apex, pointing straight up; Then the cut goes back down 45 degrees, to a shorter side, which runs parallel to the long side. These cuts are made in solid granite. Take a look below… If this were the only stone that I had seen like this, then I would hesitate to publish it here, but I offer some other examples of beautifully cut Solar Stones with the exact same angles and features. This Solar Stone pictured above is located near one of the most significant “Celtic style” alter’s in New England: the Heath Alter, of Massachusetts. Notice the identical angles. Here again is a Solar Stone with the exact same measurements at a different location. We can at least conclude that whoever created these stones had a sense of ‘symbolism’, which in this case, was to convey how important they felt the Sun was, and that they were very much in tune with its properties. As you continue hiking along, the elevated stone porches emerge (image above) which head directly towards Squaw Peak. Your first clearing will arrive facing north-east, and its phenomenal.
Aligned Stones: The edge of this porch has several stones that are centered and aligned with the massive square tower that stands almost 1000 feet high in the distance. This ledge also seems to be aligned to the peak of the mountain just beyond. If it weren’t for places like Macchu Piccu, where stones are aligned in amazing ways at high elevations to mountains and peaks, something like this would certainly seem impossible. But notice the stones running in a straight line directly down the center of this porch, with tops that are squared perfectly with each other, as if leveled intentionally. Makes you wonder. What could possibly have done this? (left image) This is the magic of Monument Mountain’s porches.
Pattern Stones: Along the trail at Monument” you will also see a type of stonework that fits a specific pattern. This can also be found at other sites in New England. Here is an image of a long singular megalithic slab specifically placed above three smaller supporting stones. Below this are other spots at Monument”, and other places in New England, with the same dimensions of: the long slab on top, with the three smaller below. This is easily something you might pass by, believing it to be simple glacial displacement, but have a look at some other patterned stones in New England that fit this exact design.
Interestingly, over 2000 miles away, there are Dolmens in Ireland that, in profile, fit this is exact numeric design: one long slab over three lesser stones This example is significantly larger, which is the Gaulstown Dolmen, with a capstone weighing 6 tons, suspended roughly 6 feet in the air. This relationship of 1 over 3 seems to be significant for these fixtures, and for the moment we can only guess at the significance of this.
After continuing along the porch away from the north-east alignment you will find Squaw Peak, which has a wonderful 360 view of the river valley. On a clear day distant peaks cut the clouds at a distance. Monument” trails also sponsor some of the more common megalithic features found at places like Mount Monadnock and Mount Watatic. There are classic stone-linings that run straight up the mountain… and the mysteriously cut “X” sections, that produces the diamond shape stones that appear all the way into Maine and New Hampshire. All of these are found here at Mounument”. Give yourself an entire day to search out the pathways that lead through this wonderland in south western Massachusetts. Feel the texture and absolute smoothness of the creases in these megaliths as you go. This is an absolutely wonderful hike that stretches for about 4 miles along the larger picturesque loop. Someone loved and appreciated this place in ways we are only just beginning to understand. See it for yourself, the sooner the better.
Note: In Upton Massachusetts The Blackstone Valley sponsors a full-spectrum ocean of foliage in the Autumn season. This is a classic New England hamlet that feels more like a rural village sitting just off the Ring of Kerry, rather than central Massachusetts. Natural features of the town include a State Forest with roughly 7 miles of trails, with other minor trails leading to stellar places like Look Out Rock (top image). Upton offers-up an “Old World” aesthetic with some very real historical substance, containing one of the finest Wedge Tomb’s in the world, known as the Upton Stone Chamber (image below). The scale of the Upton Stone Chamber is very similar to the Stone Chamber at the top of the sacred Hill of Tara in Ireland. The stonework of the Upton Chamber is exquisite, with dry-laid corbel roofing that opens up from an entry passage into a 15foot dome, crafted into the Earth! The roof has four 5 ton slabs holding up the passage leading to the mini-dome. This is of the same style of roofing that was used, on a more massive scale, at New Grange, Ireland, the oldest megalithic site in the World (right image). When I entered the Upton Chamber and turned to take pictures, orbs started floating around.(left image) (Click it to look closer). There is energy in these chambers. In general, these are some pretty strong stylistic connections to some very significant places, for just a simple small town in New England. Just like in Glenveagh National Park, Ireland (left image), Upton has unique and complex megalithic stones that are beautifully mingled into various features of the landscape, with stone-linings that are much larger than Celtic linings (2nd and 3rd/left images/Upton). Massive granite boulders are stacked near peaks in the area, and all throughout the elevated trails. Some boulders, however hard it is to believe, seem to have been molded to imitate, and align, to the center of significant peaks in the distance. Look Out Rock is an amazing example this, with three parallel grooves carved into its face, seemingly calling attention to the boulder. It points, like an arrow, directly to the top-center of the mountain in the foreground, creating a kind of prismatic display (right image). From an anthropological standpoint this is significant information, indicating that this culture was clearly “symmetry conscious”, and not only that, but symmetry capable. They could make it happen. Scope and scale of megalithic work by a culture that is capable of these statements should be reconsidered entirely to understand what is actually taking place. The neolithic culture in Upton, and all over New England, could craft granite boulders like a modern carpenter crafts wood. Forest floors in Ireland and New England look to be made up entirely of granite scraps that are cut from the larger boulders, eventually placed as statements further up the various mountains. This is the reason we find so many stones on elevated trails that have obvious cuts, right angles, and squares. The Blue Hills in Massachusetts (below left), and Mount Bearnagh in Ireland (below right), are prime examples of this. The trails in these sacred places are lined with the scraps of “megalithic carpentry”. If we were to look at the angles of the scraps on the floor of a carpenters cutting-table, the pieces, on their own, are a disheveled mess which doesn’t make any orderly sense, but the significance of each little piece is that they stem from the cutting of a ‘larger block’ on the table. The angled granite scraps are the overall proof that craftsmanship took place. Entire trails are lined with scraps of angular granite cuts throughout Ireland, Wales, England, and New England. Returning to Upton, a New-England style Dolmen sits just thirty yards from the peak at Look Out Rock. This is also a trait of sacred neolithic places. Wedge Tombs and Dolmens are often just out of view from the most advantageous spots of their specific site, very much like hikers and campers keep a tent out of the wind fairly close to the beautiful spots they want to photograph and camp near. The Wedge Tomb in the heights of Glenveagh Forest, just like Look Out Rock, is centrally aligned to the mountain in front of it, with a Dolmen tucked just 30 yards from the best vantage in Glenveagh National Park. (image on right/Glenveagh Wedge Tomb). Something’s going on here. The boulders on this unique Dolmen (Image below) are cut utilizing massive and graceful lines, with long square boulders fit into each other, balancing perfectly into what looks like a primitive pyramid. The Stones are obviously cut. This Dolmen utilizes a ‘scale-scheme’ with the larger lower boulders, leading up to the smaller capstone at the top (image left). It is an incredibly thoughtful looking structure. In scale (not style) it is very much like the massive Proleek Dolmen in Ireland, which also shows nearly miraculous scale, and balance.(right image). Interwoven into the old colonial town of Upton, there are ledges with massive megalithic fixtures, huge quartz streaks and balanced boulders. The geological explanation for these features just doesn’t make sense. Scientists usually impose some theory of how glacial ice exploded, or slid, in a certain way to make events like this happen, but it just doesn’t hold up logically. Take a look at these massive quartz parallel shafts, with a free sitting boulder cut and inserted into the underside of the ledge. The boulders may have been cut with the intention of having the quartz grow into the parallel gaps, which reveals an amazing comprehension of how quartz responds to granite in certain positions and places. I wouldn’t put this capability past the megalith builders. It seems that they had total understanding of how to use the landscape, and had the power to mold it as they saw fit. Conceptually, it breaks our reality wide open. There are stone-linings so massive in Upton, that they look like they were intended to be walked on (image left below). Stone-linings literally converge on a Wedge Tomb at Glenveagh National Park from three directions (bottom image) (Click to look closer). These are all indicators that these stones were being used as energy harnesses, connecting features in the landscape, transferring energy from the Sun, to the stones, into the chambers. The entire town of Upton is sitting on a geologically engineered landscape. Take the trails through Upton Forest in October for a ‘fantastic full spectrum’ experience, and hike up to Look Out Rock to see for yourself the aligned ledges and Dolmen. This is truly a sacred and enchanted place in the heart of New England, comparable to any Celtic site. Seek it out.
Elevation: !,831 feet.
Note: Massachusetts is a haven for the ‘small mountain’ experience, with most trails peaking under 2,000 feet. For hikers with the right vision, the experience on the trails is by no means small, however. A mysterious megalithic culture existed once on the rocky peaks, pine forests, and hilly river-valleys of this area. Strongest similarities show up across the Atlantic in the ancient Celtic elevations. The climb to the top of Watatic Mountain will grant you a great view of the State of Vermont to the north. In Autumn it is a visual miasma of colors, increasing the value of the trail exponentially. The main trail is called Nutting Hill, which is just over three miles long, half of which is just about straight up, so be prepared. The megaliths are here too, making this an anthropological experience. To begin, at ground level a set of small ponds accept the run-off from the mountain. The rocky mountainside deflects the wind coming from the north, stilling the ponds surface like glass as you pass by. The level portion of the trail, just past the water, is only about 150 yards. Immediately strange stone fixtures protrude through the leaves all around. Among these fixtures are more significant signs of “signatures”, or specifically stylized workings in the stone. The ‘X’, or “diamond cross-section” is one of the most popular types.
To look at these “X” sections it is nearly impossible to believe that they were created by ‘glacial displacement’. They create symmetries not only on the stones that they are carved into, but also in the stones within the vicinity of that particular signature. They are found on almost every Massachusetts trail where there is significant rock formations, both in the heights, and valleys. They are also found in the Celtic heights of Ireland. One possibility about the meaning of the “cross section” is that it is a type of utility that insures that if the section is cut, regardless of size, the remaining pieces will fit together if used to build other structures, such as stone-linings (“walls”), dwellings, or irrigation stones. Several examples of this “X” cross section from Watatic are shown here above, as well as one from the heights in the Mourn Mountains in Ireland (right). Before ascension on the trail begins, a classic megalith in the form of a smoothly split boulder, roughly 10 to 15 tons in weight, sits at the base of the mountain, like a gateway. The stone path literally passes straight through this massive cut boulder. If you stop to examine the area around this megalith, you will find several “cross-sections” waiting to be observed. Continuing, as you begin to climb, a beautiful old-forest glade of pines emerges, and the path becomes wider and rockier. For roughly a mile you will work your way through these pines. Interestingly enough, it is not until you reach about 1,400 feet in elevation, that a “stone-lining” emerges. This particular “stone-lining” is another strong piece of evidence against the idea that this type of feature is not a “wall” by any means. It became clear that this feature ran circularly around the dome of the mountain, like a crown on a head. No colonial farm has ever existed at the top of this fairly narrow set of circular porches at Watatic Mountain, where there is no elevated water reserve or pasturing possibility. The case for this being the work of a colonial farmer marking off his territory is illogical. It would be a triply arduous task for any laborer to first gather enough semi-megalithic size stones to lay a three foot high, two foot thick, pile of massive cut rocks around the full circumference of the mountain, at an elevation of about 1,400 feet. There are no signs that these stones were quarried at the top of Watatic, so they must have come from below. From below, after being crafted, piled, and gathered, the stones would have to be CARRIED UP, AND ALL THE WAY AROUND THE PEAK at an incline of roughly 60 degrees. If a laborer did manage to achieve this impossible feat, actually laying the stones, which weigh anywhere from 50 to 700 pounds each, it would take them a lifetime. Colonial living is an essay in practicality. Labors in Colonial times were conserved to efforts that yielded real sustenance, like digging wells for water, building barns for dairy and protein conservation, and clearing fields for crops. Building a stone wall for no reason around a mountain-side at 1400 feet, where there is no pasture, but only rock, would have been illogical, wasteful, and impractical to the point of preposterous. Something else is going on with these megalithic stone-linings. In places like Cavan Burren National Park in Ireland (Shown in green/right), as well as the Blue Hills in south-east Massachusetts (Shown in red and orange, below/left), and the Mourn Mountains in Northern Ireland (Shown in green/left), stone lining seem to be energy connectors, or containers of energy in certain spaces. All of these linings are at significant elevations, and are not capable of containing any kind of herds; And this is what is happening at 1,400 feet on Watatic Mountain. Whoever set the stones in place wanted us to understand that the space created within the circle is a sacred energy center, charging the elevated dome of the Mountain with subtle energies. Continuing on again, after passing this 1,400 feet mark, your path will follow the stone-lining for about 100 yards until you cross-over into this special zone. At 1,650 feet there is beautiful Celtic style standing-stone just off to left of the path. It stands 6 feet tall, and perhaps 7 feet in width, with a distinctly cut ‘face’ supported by a rotund rear side. This exact style of “cut-facing with “rotund-rearing” can be found in a gorgeous diamond shaped, white standing-stone, along the castle trail at Glenveagh National Park in Ireland, (shown here in the next two images below).
It is impossible to miss the distinctness of the “face” side with the “supporting rounded-rear side” in both stones, and therefor the similarity in craftsmanship. This is pretty solid evidence that the designers of these standing-stones had almost exactly the same knowledge about crafting them, as if they were from the same culture, although separated by an ocean. This is where the story of the Nephilim, as the first anthropological society on Earth, becomes relevant. Obviously the standing-stone at Watatic is so weathered by thousands of years of foliage layered on its distinct face, that it is practically camouflaged into the overgrowth, covering what looks to be pink granite beneath the grime, as opposed to the marble clarity of the Celtic stone, that has not experienced New England foliage. The standing-stone indicates, especailly at such an elevation, that this was once an incredibly endeared and valued space to whoever inhabited it. Finally, a quaintly cut-stone staircase climbs up to the last portion of the heights.Here you will arrive at a grand porch with a 360 degree view. The rocky trail continues to a larger secondary porch, 50 yards south, lined with pines and rounded granite floors. It is well worth the effort to reach the top. Watatic is an essential “small mountain” experience in Massachusetts, literally crowned by ancient megalithic stones. Take a day and see for yourself, you won’t be disappointed.
Note: Among the initial benefits of hiking… the quiet… the calm… the fluttering of the leaves above, the splashing of streams below, are more miraculous treasures waiting to be discovered. Bear’s Den is one of the most astonishing example’s of this possibility in New England, and even the world. Located just off a quiet road of a small unassuming nature preserve in New Salem Massachusetts, Bear’s Den sits ready to reveal some of the most incredible things a forest can offer on either side of the Atlantic. To begin, tucked into a small gully just beneath the initial trail is an exquisite example of an ancient stone-dwelling. This structure has distinct dry-laid outer walls up to 7 feet high, with unique stones that are each deliberately placed and crafted in an amazing way. There is an entrance way leading to a single passage that opens on the interior to a leveled-off, stone-supported, bed space. When entering the chamber you feel like you’re in someone else’s home, like a Neolithic apartment for one. There is 4 ton ‘squared’ granite piece sitting high-up on the exterior side wall, across from the bed space that looks very much like a stylistic statement made by the builder. Through sheer size, this megalithic stone says: “Look where I can put this gigantic stone!” This certainly doesn’t look like Colonial work of timely practicality, which usually involves simple cobble and brick, and avoids megalithic size stones. Native Americans were not interested in moving megalithic stones either, or building stone dwellings in north-east America. In terms of historical context, it seems that this structure somehow would’ve been here before the natives arrived, and is not the first instance of ‘megalithic culture’ at the birth of antiquity. This coincides with the claims of native Peruvians, for example. who blatantly claimed that the megalithic structures, built high in the mountains, were there well-before their ancestors arrived. The combination of difficulty, along with the additional craftsmanship of this stone, gets our undivided attention, which is probably the point! To set in place, and perfectly level, a 4 ton granite block that sits 6 feet above the supporting smaller stones, is outstandingly bold to say the least, and incredibly difficult. It’s as if the builder wanted more of a challenge. People in New England that call structures like this a “colonial root cellar” are mentality and logically lacking. It’s the equivalent of calling Stonehenge “just a bunch of big rocks”, when we know it’s obviously so much more. And the intrigue at Bear’s Den just intensifies from here. From the stone-dwelling, follow the trail to the top of the knoll to the north. Free-sitting boulders at the top of the knoll are crafted, creating an entrance way and designated view of the waterfall on the other side. Two specifically elevated and leveled stone porches sit facing the waterfall at an intended height from about 25 yards away. What you are about to see is exquisite. The first glance of this picturesque waterfall from this elevated stone-porch reveals multiple features. The stream is split beautifully by a massive stone facade. The water that flows to the right of the main facade funnels through a specifically cut ‘spout’ down into an incredibly crafted leveled pool. This is where the scene begins to become surreal, mathematical, and incredible. Before continuing, take a look at the close-up image of the right side of the ‘funneled waterfall’ (2nd image below) and see if you notice anything unique about it. It’s impossible to miss…
The Emblem Stone: Along the inner line of the perfectly leveled pool receiving the water from the funnel, is a beautiful granite-cut emblem of an equilateral triangle, each side being about two feet long, but looking smaller from a distance. Equilateral triangles DO NOT OCCUR IN NATURE, so we immediately must begin to wonder, who could have done this, and why? If you look closer, there is also a line inside the triangle clearly connecting the midpoints of two sides. A line that connects the midpoints of two sides creates an angle of 60 degrees. It appears that this emblem is depicting a specific geometric relationship. (Shown on the right) All of a sudden, the waterfall too, is an anthropological site.
Simple Geometry: (Please look to the diagrams 1-5 above to see the proofing of these ratio’s and parallels): At this time a few simple geometric explanations are required which only take a moment. Due to the midpoints being connected within the triangle, the vertices of the smaller triangle become equal to the vertices of the larger outer triangle, at exactly 60 degrees. Further still, since the vertices of both triangles become equal, the sides of both the larger and smaller triangle therefor become parallel. When these relationships are proven, the smaller triangle is revealed to be exactly 1/4 ratio of the entire figure. This is absolutely astonishing. Logically we must accept a few things at this time. First, it should be understood that whoever etched this emblem did so in granite, and for a reason. We have to conclude that the designer absolutely intended for us to notice it. In fact, the only guarantee that it would be noticed, is to etch it in granite. Second, the specific geometry of the emblem is a message, a coded stone, informing us that the designer was obviously well aware of Sacred Geometry. Third, if someone from antiquity is leaving us a coded emblem with specific geometric relationships, it demands our utmost attention, and we should be adamant to observe any other relationships taking place, relevant to this emblem.
The Funneled Waterfall Parallel: It is logical to follow the lines of the parallels that have been established by this emblem to see if there is any further connections on the waterfall overall. If we continue the line of the left side of this coded emblem, we see that it connects DIRECTLY to another crafted feature. Continuing along this exact line is a crafted stone funnel where the water is harnessed specifically to a single focal point. This exact line is becoming a longer parallel. You can see the distinct whiteness of the water blasting out of the funnel. At this point something astonishing is beginning to emerge. The possibility that the ’emblem stone’ is a coded statement for relationships relevant to the entire waterfall is becoming possible. If this parallel line extends to a specific point on the larger structure, is it possible that this line will have a matching larger parallel on the other side of the waterfall, just like the lines of the emblem? Is it possible that another larger triangle can be established relative to this right-side portion of the scene? Let’s continue to try and find features that fit the ratios and angles. If we continue to implement the information the emblem conveys, from this top funnel point we can implement a 60 degree angle, and draw a line downward at this specific angle. We will then continue to draw that line down to a point where we can implement another 60 degree line at the base. If we do this, another perfect triangle emerges, depicting an outline of the ‘funneled-side-waterfall’ on the right-lower side, exactly as depicted in the right-lower side of the emblem stone. From here, if we want to see if there is a ratio-appropriate parallel to the ‘funnel-waterfall-triangle’ on the 3/4 side of the scene, we need to step back to where we can see the entire picture again.
The Top Central Boulder: Returning to the leveled stone porch, we must look for a central point where a larger parallel line can converge, in accordance with the pattern on the emblem. Remember that the emblem depicts a specific 1/4th ratio for the smaller triangle within, therefor, a higher point in the 3/4ths section on the right should specifically exist. Let’s continue to look for this intentional designation. If we examine the upper-left portion of the overall waterfall, we DO see something specific. Looking down from the center of the elevated porch, directly below is a set of distinct stones that serves as a central bridge that connects the land across the stream with the granite facade. If we follow this line we can see that it directs our eyes straight ahead to the exact high-point on the massive frontal/main granite piece, where there is a distinct crease cut into the rock (double click o image to the right to look closer). Directly above and behind that crease is a free-standing boulder, placed centrally (circled at the top. in yellow). It is certainly important to check these points of significance to ensure that they are not arbitrary. It appears that the aligned stoned bridge is directing us towards this specific boulder. If you cross this bridge, which is completely linear, and climb up to the cut crease, then make your way to the centrally placed boulder behind the facade, and turn around, there is something spectacular we are intended to see.
The Aligned Rear Altar: Here we see what looks to be a type of “water-altar” embedded behind the uppermost granite facade where the crease is. The cut line of this uppermost crease is even more distinct from the back side, revealing an exact cut that extends as an incision deep into the granite at a 45 degree angle. Looking back now from the center of the boulder, through the crease, back to the elevated porch, is a perfectly straight line, as well as a perfectly leveled line (Image marked below, left). The alignment, symmetry, AND elevation, are all absolutely exact. This rear section is obviously another type of ‘alter’ intended to be found by use of the information given to us by the emblem. Along the line of the ‘high point crease’ is a circularly cut whirlpool, with a back drop of smaller stones with little incisions that follow the 45 degree lining of the top most crease. These are blatantly angled cuts in solid granite. This is also the exact spot where the water divides into two sections, cascading down to the left and to the right onto the frontal facade (Image to the right). As the high point of division for the stream, it is further justification as an identified high point to the main frontal facade. All of this information serves to reveal the free standing boulder behind the uppermost crease as a central high point, intended for us to discover by the efforts of the designer of this waterfall. With this important piece of information, we can go back to the elevated porch on the frontal side of the waterfall, and utilize the ‘top boulder’ as our fixed point for the parallel line we are hoping to find, which will logically coincide as a parallel with the ‘funnel-waterfall-triangle’ line on the more minor lower left side of the overall facade, just at the top corner and the mid-line corner coincide on the emblem.
The overall waterfall and the emblem are the same: If we extend the ‘funnel-waterfall-triangle’ lines, at the angle of 60 degrees indicated to us by the information within the ’emblem stone’, this line will run straight to the peak of the ‘top boulder’. It all comes together from here. The outer line connecting the ‘funnel-waterfall-triangle’ to the specific point of the ‘top central boulder’ is enough information to allow us to complete the picture. If we again use the 60 degree angle implied by the emblem stone, we can now draw the parallel line we were searching for, that coincides with the ’emblem-to-funnel’ line. We draw the line as a parallel from the ‘top boulder’ down, and the picture begins to emerge in full. The parallel lines are in specific ratio as well, so it becomes impossible to miss. If we match the 60 degree corner of the established ‘outer right-side line’ on the right-side extremity of the waterfall, we can define a 60 degree corner on the left-side extremity and run a base line from one end of the fall to the other. Here we see that THE RATIOS OF THE ORIGINAL CODED EMBLEM EMERGE AGAIN IN THE OVERALL WATERFALL (displayed below). We now see, by definition, that the 1/4 ratio portion of the overall triangle is the ‘funneled waterfall triangle’ with the ‘leveled pool’ on the minor right corner. It’s a perfect fit. What we have discovered is that the ’emblem stone’ is nothing less than an embedded, ratio-specific ‘keystone’ that opens up the possibility of comprehending the entire picture.
Mystical Beauty: There are so many question that come from discoveries like this. Who would have the ability and knowledge in antiquity to create an engineered, ratio-specific, waterfall from cut granite? This just doesn’t coincide with the evolutionary depiction of history, where humans are depicted as primordially primitive. Perhaps the builder was not entirely human? It’s not just the magnitude of understanding, its the ability to carry it out that’s really moving. The emblem shows us the mind of the engineer of this waterfall; That beautiful ideas can have a core principle, and be carried out into complexity by the consistency of defined ratios and principles. To do this in antiquity is earth shattering. It seems likely that the engineer of this masterpiece lived in, and also designed, the elegantly simple and beautiful stone-dwelling just over the hill. It makes sense. The stream flows from the waterfall, around the hill, straight to the dwelling, and beyond.
It is a captivating scene. For a moment, picture a pristine Era at the beginning of Time, when the water was clean and drinkable. This area was carved-out as a place of pure joy and regeneration, perhaps in the very first Era. It is at least one of the oldest functioning engineered sanctuaries in the world. It’s haunting; where trails run along the river above the waterfall and below, through the forest and back to the stone-dwellingl for a 2.5 mile loop.
The Equilateral Triangle: The equilateral triangle is a feature that actually shows up in many New England forests in several different ways. In my personal explorations for content for Stonestrider.com, I’ve seen large granite cuts, subtle small granite pieces on mount Watatic, Massachusetts, with holes somehow drilled smoothly into the exact center. and massive granite slabs in deep woods with 60 degree quartz stripes across the face (bottom images). On my way out of Bear’s Den on my most recent visit this September, just down stream from the waterfall, I discovered another cut equilateral triangle, this time laying right beside the boulder it was cut from (green stones on the lower left). This is Neolithic meme in New England of incredible and profound significance. The culture that appreciated this specific geometric shape engineered it into their lives, in their work, and in their hearts. The ancient Israelite immortalized the equilateral triangle in their designs of the Ark of The Covenant and later in the Temple, as instructed by Ashem (Yahweh,God). A functional living monument dedicated to this shape conveys a message across the Ages, which is that the builders were connected intimately with this divine principle. If you explore the forest and mountains of New England, as well as the Celtic high country, it is only a matter time before you discover this for yourself. Hope to see you out there.
Note: On top of this cliff are several crafted and cut megalithic size stones that were absolutely placed there as a statement. The angularity of the cuts in the rocks indicates a specific vantage point where you are obviously meant to look at the stones. You can clearly see how the front stone is cut as if its holding up the stone behind it, which is the center of the massive supporting boulders set behind, with a triangular cut inlay between them. Amazing. This is New England’s equivalent to the Celtic Dolmen.